Posted on 2019-09-182019-10-09 by Michael

S A & European Art, Books & Collectables Saturday 28 September 2019 @ 09:00

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Session 1 @ 09:00 Silver, Metalware, Glass, Porcelain & SA Ceramics

235 — Lot 1 Est R 500 – 1 500 5 X MID-VICTORIAN SILVER FIDDLE PATTERN TEASPOONS – Maker: Samuel Whitford, London 1866, each featuring engraved monogram decoration to the terminal, a mid- Victorian silver Fiddle pattern teaspoon – Maker: A B Savory & Sons (William Smily), Birmingham 1859, with engraved armorial crest on terminal, George V silver Old English pattern teaspoon – Maker: William Neale & Son Ltd, Birmingham 1928 a George V silver Old English pattern teaspoon – Maker: possibly George Tutill, Birmingham 1930 & a Christofle Metal Blanc wine bottle coaster, raised & banded palmette decoration (Weighable silver mass: 181g)

236 — Lot 2 Est R 1 000 – 3 000 A LATE VICTORIAN SILVER MILK-JUG – Maker: Walker & Hall, London 1890, baluster-shaped body with integral scroll handle, featuring raised scrolling acanthus leaf motifs; a Late Victorian silver sauce-boat – Maker: Daniel George Collins, London 1898, lobed body with foliated rim, C-scroll handle on fluted pad feet; a George V silver open salt – Maker: W H Ltd, Birmingham 1929, bowl-shaped with foliated rim, on conforming paw feet; a matching Old English pattern silver salt spoon; a George V silver tea strainer -Birmingham 1930, the pierced floral bowl & pierced Art Nouveau-style foliate embellished handle (Split evident) (Mass: 222g)

237 — Lot 3 Est R 400 – 800 AN EDWARD VII SILVER LADIES CARD CASE – Maker: William Neale & Sons, Chester 1904, the lozenge-shaped body with hinged cover, featuring raised Rococo-style rocaille vacant cartouche & scrolling acanthus leaf decoration (10 x 7 x 1cm) PLUS a Continental silver matchbox holder stamped 835, featuring raised & pierced Rococo-style rose-leaf & rocaille cartouche motifs, on conforming leafy scroll feet (Mass: 111g)

238 — Lot 4 Est R 500 – 1 500 A GEORGE V SILVER MOUNT PORTRAIT FRAME – Maker: Henry Matthews, Birmingham 1918, the raised cartouche-shaped body, enclosing a glazed panel with veneered mahogany backboard & support (Dent evident to frame) (40 x 27 x 2cm)

291 — Lot 5 Est R 500 – 1 500 A GEORGE V SILVER PRESENTATION SHOOTING TROPHY – Maker: Charles S Green & Co Ltd, Birmingham 1935, Silver Jubilee hallmark, the quaich-shaped body with conforming flat handles, inscribed: The Dewar Shield 1936 PLUS an Edward VII silver Thistle teaspoon – Maker: Crisford & Norris Ltd, Birmingham 1906 (Stone deficient) (Mass: 171g)

239 — Lot 6 Est R 400 – 800 AN ELIZABETH II SILVER 4-PIECE TABLE CONDIMENT SET – Maker: William Suckling Ltd, Birmingham 1956 – 1958, comprising: an open salt, covered mustard pot & pepperette, each plain body with raised foliated rim on fluted pad feet, matching Old English salt spoon PLUS a George VI silver Old English mustard spoon – Maker: William Suckling Ltd, Birmingham 1946 (With original blue glass liners) (Mass: 123g) (With original presentation case)

290 — Lot 7 Est R 500 – 1 500 AN ELIZABETH II SILVER FOOTED TAZZA – Maker: E H Parkin & Co Ltd, Birmingham 1970, the dished body with foliated rim, featuring incised Rococo-style scrolling leaf & shell decoration enclosing a central cartouche inscribed: 2.11.73, N.K.V. on a conforming circular rising base (Mass: 134g)

240 — Lot 8 Est R 300 – 600 A LATE 19TH CENTURY DUTCH SILVER FOOTED SWEET-BOWL – Amsterdam 1890, dished body with raised & incised Rococo-style scrolling leaf, flower & vacant cartouche embellishment, on a conforming circular rising base (Height: 7cm; diameter: 12.5cm) (Mass: 119g) (Split evident to rim)

241 — Lot 9 Est R 300 – 600 A VICTORIAN ELECTROPLATE ON COPPER FOOTED CAKE STAND – Maker: John Yates & Sons, Birmingham active 1861, the plain dished body with raised ribbed rim, on a conforming circular rising base; an EPNS entreé dish & domed cover, featuring raised banded beaded decoration & detachable scroll handle (Dent evident) & an EPNS candle snuffer wick trimmer (Tallest: 17cm)

207 — Lot 10 Est R 500 – 1 500 3 X GRADUATED 19TH CENTURY DUTCH BRASS CANDLE WALL SCONCES – each shaped pan with conforming candle nozzle & riveted or joined sheet brass backplate (Tallest: 30.5cm) (Split evident to candle nozzle)

208 — Lot 11 Est R 500 – 1 500 AN 18TH CENTURY DUTCH BRASS BRASIER – the ring-shaped open-work body with rolled rim & hinged fleur de lys terminals with riveted cast drop ring handles, supported on integral scrolled supports, united by a lower brass pan on conforming cast lion-paw feet, a Victorian brass trivet stand, the circular-shaped floral pierced top on conforming cast turned, tapered & ring-turned legs & another brass brasier with conforming riveted cast-iron handle & riveted supports (Tallest: 22cm)

209 — Lot 12 Est R 300 – 600 A VICTORIAN BRASS JAM BOILER – the basin-shaped body with rolled rim & copper riveted cast-iron hoop handle (Height: 38cm; diameter: 34.5cm) (Dent evident)

278 — Lot 13 Est R 500 – 1 500 AN ANGLO-CAPE COPPER WATER BEAKER – cylinder-shaped body with rolled rim, riveted copper strapwork handle; a copper gratin pan, the oval-shaped body with rolled rim & copper riveted hoop handles & a saucepan-lid (Tallest: 12cm)

223 — Lot 14 Est R 300 – 600 6 X GRADUATED CONTINENTAL FREE-FORM SOMMERSO ANGEL-FISH GLASS PAPERWEIGHTS/FIGURINES – each pulled clear body with moulded fins & tail featuring multi-coloured internal swirls or confetti decoration (Tallest height: 21cm)

224 — Lot 15 Est R 500 – 1 500 AN ITALIAN MURANO SOMMERSO ANGEL-FISH FIGURINE – pulled body in encased colours of emerald & white with swirl decoration & applied amber glass eyes, on a conforming free-form base (Height: 19cm) Lot 16 Est R 500 – 1 500 AN ITALIAN MURANO FISH FIGURINE – pulled free-form body in colours of purple & blue, conforming applied moulded & fluted fins, eyes & tail, on a conforming circular rising base (Height: 20cm) Lot 17 Est R 400 – 800 AN ITALIAN MURANO SOMMERSO FISH FIGURINE – pulled body encased in colours of purple, pink, aurelian & blue, featuring conforming tail & applied moulded & fluted fins, on a conforming circular rising base (Height from highest point: 15cm)

225 — Lot 18 Est R 1 000 – 3 000 AN ITALIAN MURANO SOMMERSO SWORDFISH FIGURINE – the pulled encased aquamarine glass coloured body with applied clear glass eyes, moulded fluted fins & tail featuring internal gold foil aventurine inclusions, supported on a free-form rising base (Height: 30.5cm) Lot 19 Est R 300 – 600 A MURANO CLOWN PAPERWEIGHT – the shaped body with applied facial features, green coloured glass hat, white & clear glass polka-dot bow-tie, featuring internal bullicante motifs (Imperfection to eye) PLUS a sommerso glass flower vase – the tapering twisted & fluted body with foliated rim, in colours of red & orange (Tallest: 23cm)

226 — Lot 20 Est R 300 – 600 2 X ITALIAN MURANO FREE-FORM SWEET BOWLS – each with a foliated rim, encased in colours of ruby & emerald coloured glass with internal aventurine silver foil inclusions PLUS a near matching aquamarine coloured sweet bowl (Tallest height: 6.5cm; diameter: 13cm)

227 — Lot 21 Est R 300 – 600 A VENETIAN GLASS BOWL CIRCA 1960S – the lobe-shaped & fluted body in colours of clear, ruby & blue coloured glass (Height: 9cm; diameter: 10cm) (Nicks evident) PLUS an Italian Murano tapering cylindrical-shaped flower vase – the raised & fluted panel body with foliated rim, in colours of clear, ruby & aquamarine (Height: 23cm; diameter: 12cm)

228 — Lot 22 Est R 200 – 400 3 X GRADUATED FREE-FORM ITALIAN MURANO SWEET BOWLS – encased in colours of cobalt, aurelian & purple (Tallest height: 6cm; diameter: 12cm)

230 — Lot 23 Est R 300 – 600 AN ITALIAN MURANO FREE-FORM FLOWER BOWL – shaped body in colours of emerald, amber & clear (With foil label) PLUS a Continental purple coloured sweet bowl, with internal bullicante motifs (Tallest height: 10cm; diameter: 20cm)

229 — Lot 24 Est R 300 – 600 A PAIR OF ITALIAN MURANO GLASS FREE-FORM SWAN BOWLS – Maker: Ma.vi Group, Cristallerie, Murano – in colours of yellow, green, turquoise & blue (Height: 14cm) (Tail nicked)

231 — Lot 25 Est R 500 – 1 500 AN ITALIAN MURANO FREE-FORM VASE – the shaped & fluted body with foliated handkerchief rim, in colours of cerise pink & cobalt blue (Tallest: 20cm; diameter: 19cm); a Continental free-form leaf-shaped bowl – the lobed & pulled body, in colours of purple, blue & clear glass PLUS a matching sweet basket with conforming pulled & moulded handles, in colours of purple, green & clear glass (Tallest height: 21cm)

232 — Lot 26 Est R 100 – 300 A BOHEMIAN GLASS SEA LION FIGURINE – the pulled emerald coloured glass body with conforming flippers & a tail (With original paper label) (Height: 8cm; length: 14cm) Lot 27 Est R 200 – 400 A CONTINENTAL GLASS SOMMERSO HANDBAG VASE – the pulled fluted body with foliated rim in hues of pink & milk glass, conforming applied moulded bag straps & attached clear glass rose stud attachments (Height: 23.5cm)

222 — Lot 28 Est R 500 – 1 500 A POLISH KROSNO JOZEFINA HANDMADE GLASS VASE – the baluster-shaped chalcedony glass body in colours of chocolate & cream, supported on an organic free-form stem on a conforming circular rising swirl base; a Krosno Jozefina handmade glass candle-holder with dished-shaped chalcedony body supported on pulled & moulded clear glass tendril supports, on a circular rising base PLUS a near matching amethyst-coloured glass sweetbowl (With original paper labels) (Tallest height: 22cm)

220 — Lot 83

221 — Lot 30 Est R 500 – 1 500 A POST-WAR LALIQUE FROSTED GLASS CHRYSIS CAR MASCOT – Model: 1183, originally created by Rene Lalique in 1931, in the form of a kneeling female nude leaning backwards with outstretched arm & flowing hair, on a conforming soclé base, etched Lalique, France on the base (Height: 14.5cm) (Chip to hair evident)

211 — Lot 31 Est R 300 – 600 AN ITALIAN LENCI OF TORINO CERAMIC VASE CIRCA 1930S – the shaped body with foliated rim, featuring flower, leaf, branch & polka dot motifs in colours of pink, yellow, green & gold with gilt-overglaze decoration on a cream ground, on a conforming circular rising base (Height: 24cm) Lot 32 Est R 300 – 600 A DANISH DAHL JENSEN COPENHAGEN JAVANESE DANCER FIGURINE – Impressed model no. 1114, issued 1928-1981 (Height: 25cm)

212 — Lot 33 Est R 300 – 600 A ROYAL DUX CZECHOSLOVAKIA PORCELAIN REARING STALLION FIGURINE – Impressed model no. 327/I, issued 1920-1980 (Height: 19.5cm) Lot 34 Est R 300 – 600 A POST-WAR ROYAL DUX CZECHOSLOVAKIA PORCELAIN PARTRIDGE BIRD FIGURINE – Impressed model no. 399, production issued 1951, impressed pink triangle mark to base (Height: 15cm)

206 — Lot 35 Est R 300 – 600 A PAIR OF WEDGWOOD EARTHENWARE ART-DECO-STYLE TANKARDS DESIGNED BY KEITH MURRAY (NEW ZEALAND 1892 – 1981) CIRCA 1934 – each plain cylindrical-shaped turquoise-coloured body with integral strapwork handle & raised ribbed banding, printed signature to base (Height: 13cm)

293 — Lot 36 Est R 500 – 1 500 A ROYAL DOULTON SERIESWARE OLD MORETON HALL LENNOX-SHAPE FLOWER BOWL CIRCA 1915 – Pattern no. D3822, issued 1915-1933, featuring banded acanthus leaf & polychrome scenes of The squire, his lady and their daughter with a courtier in front of the house & the Squire receiving Queen Elizabeth and a small procession with jester (Height: 18cm; diameter: 22cm) (Scarce)

182 — Lot 37 Est R 500 – 1 500 A SETTING FOR SIX COPELAND SPODE CHINESE ROSE PATTERN DINNER SERVICE – Pattern no. 2/9253, comprising: 6 x dinner plates, 6 x side-plates, 6 x salad plates, 6 x soup bowls, 2 x cold meats platters, gravy boat & under-plate, 1 x vegetable dish & 1 x covered vegetable tureen (Restoration to handle)

309 — Lot 38 Est R 500 – 1 500 2 X ROYAL ALBERT FLOWER OF THE MONTH SERIES (OCTOBER) COSMOS PATTERN TEACUPS & SAUCERS, a breakfast teacup, a matching cake-plate, EPNS cake-fork, 12 x Flowers of the Month teaspoons, hafted porcelain serrated cake knife & a cake server

311 — Lot 39 Est R 2 000 – 4 000 12 X ROYAL ALBERT MEMORY LANE PATTERN TEA TRIOS, a matching milk-jug, sugar bowl, teapot, cake-platter & sweet bowl

310

280 — Lot 41 Est R 1 000 – 3 000 AN EARLY 20TH CHINESE QING DYNASTY (1644-1912) BLUE & WHITE DOUBLE HAPPINESS GINGER JAR & COVER CIRCA 1900 – baluster-shaped body with stencilled leaf decoration & double happiness character marks (Height: 27cm)

282 — Lot 42 Est R 1 000 – 3 000 A 19TH CENTURY LATE EDO PERIOD (1603 – 1868) JAPANESE ARITA BLUE & WHITE CHARGER – the glazed circular-shaped body with scalloped rim in undeglaze blue & green, featuring banded floral mon, leaf & spandrel cartouches embellished with landscape scenes, the well with a hand-painted river scene with prunus, cherry blossom, chrysanthemum, butterfly, quail & foliage decoration, spur marks evident to base (Diameter: 47cm)

176 — Lot 43 Est R 300 – 600 4 X CORNISHWARE DINNER PLATES CIRCA 1930S-1950S – Maker: T G Green & Co Ltd, 4 x matching side-plates, 5 x soup bowls & 3 x condiment jars (sans covers), all with electric blue & white banding (Crazing & imperfections evident)

177 — Lot 44 Est R 500 – 1 500 A CORNISHWARE 1 1/2-PINT COFFEE POT CIRCA 1930S -1950S – Maker: T G Green & Co Ltd, 4 x matching teacups, 6 x saucers & a small dreadnought milk jug, all with electric blue & white banding(Imperfections evident)

178 — Lot 45 Est R 500 – 1 500 A CORNISHWARE MEDIUM-SIZED HOUSEHOLD JAR WITH COVER CIRCA 1930S-1950S – Maker: T G Green & Co Ltd, 2 x matched salt & pepper cellars & 3 x smaller condiment jars & a covered mustard pot (Nick evident)

175 — Lot 46 Est R 300 – 600 A CORNISHWARE TABLE BUTTER DISH WITH DOMED COVER CIRCA 1930S-1950S – Maker: T G Green & Co Ltd PLUS a matching cheese dish with domed cover, all with electric blue & white banding

179 — Lot 47 Est R 300 – 600 A CORNISHWARE CASSEROLE DISH WITH DOMED COVER CIRCA 1930S-1950S – Maker: T G Green & Co Ltd, with electric blue & white banding (Heat crazing & hair-line crack evident) (Height: 17.5; diameter: 24cm) (Scarce)

170 — Lot 48 Est R 300 – 600 A CORNISHWARE HOUSEHOLD JAR WITH COVER CIRCA 1930S-1950S – Maker: T G Green & Co Ltd, with electric blue banding (Height: 18cm) (Scarce)

171 — Lot 49 Est R 300 – 600 A CORNISHWARE COVERED SALT-BOX CIRCA 1930S-1950S – Maker: T G Green & Co Ltd, inscribed: Salt & with electric blue & white banding (Height: 12cm)

181 — Lot 50 Est R 500 – 1 500 2 X CORNISHWARE FLOUR SHAKERS CIRCA 1930S-1950S – Maker: T G Green & Co Ltd, 1 x matching salt shaker & sugar shaker, all inscribed: Flour, Salt & Sugar, & featuring electric blue & white banding (Tallest: 13cm)

180 — Lot 51 Est R 400 – 800 2 X GRADUATED CORNISHWARE DREADNOUGHT MILK JUGS CIRCA 1930S-1950S – Maker: T G Green & Co Ltd PLUS a matching cylinder-shaped jug, each with integral strapwork handles & electric blue & white banding (Tallest: 14.5cm)

172 — Lot 52 Est R 500 – 1 500 16 X CORNISHWARE TEACUPS RESTYLED BY JUDITH ONIONS CIRCA 1960S PLUS 17 x matching saucers, with electric blue & white banding

173 — Lot 53 Est R 500 – 1 500 2 X CORNISHWARE SMALL DREADNOUGHT MILK JUGS RESTYLED BY JUDITH ONIONS CIRCA 1960S PLUS 2 x 1-Pint measuring jugs & a teapot lid, with electric blue & white banding (Minor nick evident)

174 — Lot 54 Est R 200 – 400 A CORNISHWARE MIXING BOWL RESTYLED BY JUDITH ONIONS CIRCA 1960S – with electric blue & white banding (Height: 12cm ; diameter: 26.5cm)

184 — Lot 55 Est R 300 – 600 A THE CERAMIC STUDIO (1925 -1942) FLOWER VASE – glazed ribbed baluster-shaped body in hues of turquoise, green & reddish-brown oxide, signed The Ceramic Studio & dated 1932 on the base (Height: 16cm; diameter: 11cm)

185 — Lot 56 Est R 300 – 600 A LINNWARE FLOWER TROUGH – glazed circular ring-shaped body in colours of deep-sea green & reddish brown oxide, signed Linnware on the base (Height: 4cm; diameter: 21.5cm) Lot 57 Est R 300 – 600 A LINNWARE VINAIGRETTE JUG – with integral strapwork handle (Stopper deficient) (With remnant of Linnware silver foil label) PLUS a flower bowl, each glazed body in hues of green & impressed L.W. studio mark on the base & a footed pale-grey oxide footed egg-cup (Tallest: 12cm)

186 — Lot 58 Est R 500 – 1 500 A PAIR OF MATCHED LINNWARE URN-SHAPED FLOWER VASES – each glazed body in colours of turquoise or light green with reddish brown oxide & impressed studio mark on the base PLUS a larger urn-shaped vase – in colours of dark green, blue & reddish brown oxide, signed Linn Ware & impressed dish with lid studio mark (Largest diameter: 13.5cm) Lot 59 Est R 300 – 600 THE CERAMIC STUDIO/LINNWARE MILK JUG & SUGAR BOWL – each glazed body in hues of light green, turquoise & reddish brown oxide (Tallest: 10cm)

187 — Lot 60 Est R 300 – 600 A LINNWARE PLATE & NEAR MATCHING BOWL – each glazed body in colours of deep-sea green, blue & reddish brown oxide, one signed Linnware PLUS a cylindrical shaped turquoise glazed vase, with ribbed banding, signed Linnware on the base (Largest diameter: 21cm)

188 — Lot 61 Est R 300 – 600 A PAIR OF GRADUATED LINNWARE JUGS – each glazed ribbed body with conforming integral strapwork handles in hues of green, blue & reddish brown oxide, impressed dish with lid studio marks on the base (Tallest: 13cm)

189 — Lot 62 Est R 500 – 1 500 3 X LINNWARE GLOBULAR-SHAPED FLOWER VASES – each glazed body in colours of deep turquoise, each signed L.W. on the base, one signed A G (Ann Gunn) (Height: 11cm each) Note: Ann Gunn decorated wares for Linnware from 1945 into the 1950s Reference: Gers, W. Scorched Earth p.23 & Duffey, A.E. Heymans, R. & Middeljans, J. Olifantsfontein Potteries 1907 – 1962 p.56

190 — Lot 63 Est R 500 – 1 500 A LINNWARE FOOTED FLOWER VASE – lobed-shaped & ribbed glazed body in colours of light grey & reddish brown oxide on a conforming stepped circular rising base, impressed L.W. studio marks PLUS a near matching milk jug (Tallest: 11.5cm) Lot 64 Est R 100 – 300 A LINNWARE BEAKER & MATCHING SIDE PLATE – each glazed in colours of jacaranda blue, lilac & reddish brown oxide, impressed L.W. studio marks on base (Diameter: 16cm) (Imperfection to base)

191 — Lot 65 Est R 500 – 1 500 A LINNWARE BALUSTER-SHAPED FLOWER VASE – glazed & ribbed body in hues of light green, cream & reddish brown oxide, impressed L.W. studio mark on base (Height:22.5cm)

192 — Lot 66 Est R 300 – 600 A LINNWARE CHARGER – glazed body in colours of turquoise, blue & reddish brown oxide, signed Linnware on the base (Diameter: 31cm)

193 — Lot 67 Est R 400 – 800 A LINNWARE URN-SHAPED FLOWER BOWL – glazed body in hues of deep sea-green & reddish brown oxide, signed Linnware & impressed pot with lid studio mark (With original flower rose) (Height: 12cm; diameter: 23cm)

194 — Lot 68 Est R 300 – 600 A LINNWARE FLOWER BOWL – glazed body in colours of green, blue, black & reddish brown oxide, impressed L.W. studio mark on base (Diameter: 27cm) (With original flower rose) (Imperfections to flower rose)

195 — Lot 69* AT BEST A COLLECTION OF LINNWARE – comprising: a fruit-bowl, 2 x graduated milk jugs, 2 x cabinet vases & a baluster-shaped flower vase, all glazed in hues of green & reddish brown oxide, with impressed studio marks or signed Linnware (Imperfections, chips & repairs evident)

196 — Lot 69 AT BEST PLUS HILLEBRAND, M. (Dr). The Women of Olifantsfontein – South African Studio Ceramics. Publ. South African National Gallery (Paperback – Exhibition catalogue) ***

197 — Lot 70 Est R 100 – 300 A LINNWARE FLOWER BOWL – glazed body in colours of green, blue & reddish-brown oxide PLUS a Lucia Ware flower bowl, raised relief moulded model no. 248 (Tallest: 7cm; diameter: 11cm)

279 — Lot 71 Est R 500 – 1 500 A LINNWARE BALUSTER-SHAPED FLOWER VASE – glazed & ribbed body in hues of light green, cream & reddish brown oxide, impressed pot with lid studio mark (Height: 16.5cm)

199 — Lot 72 Est R 300 – 600 A STONEWARE FRUIT BOWL DESIGNED BY ANDREW WALFORD (SA 1942 – ) – the glazed dished-shaped speckled body with abstract & naïve leaf motifs in colours of reddish-brown & cobalt oxide, signed on the base PLUS a SA ceramic nut bowl designed by Anton Bosch (SA 1958 – ) with polychrome bird & flower motifs (Tallest: 10cm; diameter: 22cm)

198 — Lot 73 Est R 300 – 600 A STONEWARE JAR & FINIALLED COVER DESIGNED BY ANDREW WALFORD (SA 1942 – ) – the glazed ribbed cylindrical speckled body with blue slip-glaze & featuring bird & leaf decoration, signed on the base (Height: 19cm)

276 — Lot 74 Est R 500 – 1 500 A STONEWARE JAR & FINIALLED COVER DESIGNED BY TIM MORRIS (SA 1941 – 1990) – unglazed baluster-shaped speckled body with naïve berry & leaf motifs, in colours of reddish brown & cobalt oxide, impressed studio mark to base (Height: 23cm) (Glaze chip evident)

277 — Lot 75 Est R 500 – 1 500 A STONEWARE FRUIT BOWL DESIGNED BY TIM MORRIS (SA 1941 -1990)- the glazed & ribbed exterior body, with naïve grape, tendril & vine-leaf motifs on the interior, in colours of reddish brown & cobalt oxide, impressed studio mark (Height: 14cm; diameter: 31.5cm)

200 — Lot 76 Est R 500 – 1 500 A STONEWARE VASE DESIGNED BY HYME RABINOWITZ (SA 1920 – 2009) – the ribbed baluster-shaped speckled body with oatmeal glaze & featuring abstract leaf motifs in reddish-brown oxide, impressed artist’s mark to base (Height: 21cm)

281 — Lot 77 Est R 2 000 – 4 000 AN ARDMORE ART STUDIO CERAMIC ELEPHANT BOWL DESIGNED BY SLULAMILE MLAMBO (SA 1985 – ) & PAINTED BY ZINHLE NENE (SA 1978 – ) – the glazed dished body featuring all-over hand-painted flower, leaf, raised sculpted elephants, arum lily & leaf embellishment, in colours of blue, green, yellow, orange & black, signed & inscribed on the base: Made by Seluamile, PTD by Zaneie (sic), Ardmore Studio, studio mark & dated 2004 (Height: 10cm; diameter: 25.5cm)

210 — Lot 78 Est R 1 000 – 3 000 AN ARDMORE ART STUDIO CERAMIC FOOTED ELEPHANT FRUIT BOWL DESIGNED BY NHLANHLA NSUDWANE (SA 1962 -2015) & PAINTED BY ZINHLE NENE (SA 1978 – ) – the glazed dished body with cobalt blue painted foliated rim, featuring all-over hand-painted protea flower, leaf & elephant decoration, in colours of pink, rouge, green, yellow & light-blue, supported on four conforming sculpted elephant masque feet, signed & inscribed on the base: made by Nhlanhla, P.T.D by Zinhle, Ardmore Art Studio, studio mark & dated ’99 (Firing imperfection) (Height: 11.5cm; diameter: 31.5cm)

Collectables & Curiosities, Autographs, Furniture & Estate Jewellery

201 — Lot 80 Est R 300 – 600 A PAIR OF DUTCH EPNS SHIRT COLLAR CLIPS – with raised scrolling leaf & flower embellishment, a retractable folding corkscrew, folding pocket knife – Maker: George Wolstenholm, Sheffield, lozenge-shaped horn case with shield cartouche, fitted with 2 x folding blades & file, an ebonite Italian P.O.W. sabot-shaped snuff box with hinged cover, featuring inlaid motifs & a carved Meerschaum pipe bowl with imperfect amber mouthpiece (With presentation case) PLUS a vintage painted metal cashbox. Lot 81 Est R 200 – 400 AN UNUSUAL ENGLISH LADIES PYGMALION POWDER COMPACT IN THE FORM OF A TERRESTRIAL GLOBE CIRCA 1951 – Maker: S.D. Rand Ltd, Regent Street, London active 1949 – 1955, hinged body with snap clasp featuring incised decoration with fitted celluloid interior

202 — Lot 82 Est R 2 000 – 4 000 AN ENGLISH ASSEMBLED AMERICAN BLICKENSDERFER MODEL 7 PORTABLE TYPEWRITER CIRCA 1897 – 1916 – Maker: Blickensderfer Typewriter Company, Stamford, Conn, USA, assembled in Newcastle-on-Tyne, Great Britain, Production issued: 63 000, the typewriter features a scientific keyboard (DHIATENSOR), cylindrical type-wheel, wrap-around space bar, a paper scale, black composite carriage knobs at both ends of the platen, adjustable margin stops, a bell mechanism struck by the clapper to the inking arm when the carriage was approaching the end of a typed line. Mounted on an oakwood base, together with a leather case. Note: Two British branches of the American company were established in 1894-95, one at 9-10 Cheapside, London, and the other in Newcastle-Upon-Tyne. Reference: https://oldbike.eu/boer-war-correspondent-with-blickensderfer-typewriter/

271 — Lot 83 Est R 1 000 – 3 000 AN EARLY 20TH CENTURY HEZZANITH SEXTANT CIRCA 1924 – Maker: Heath & Co Ltd, New Eltham, London (The Hezzanith Observatory Works), model No. U866, pierced black lacquered bell pattern frame with silvered scale, the endless tangent screw & clamp inscribed: Heath & Co Ltd. with 4 x glass sun-shades, 3 x sun shades, index & horizon-glass adjustments by a square-headed screw, magnifier on a swivelling arm, frosted glass shade, threaded telescope bracket stamped: Hezzanith Endless Tangent Screw Automatic Clamp Patent no. 17840, fitted for correcting collimation error, perpendicular adjustment by rising-piece & milled knob, star-finder, accompanied by an extra sextant sight tube, a shaded eye-piece & an adjusting pin, all housed in a fitted mahogany case, stamped R.O ‘ Neill with locking mechanism W.A.F. (With Certificate of Examination dated October 1924)

292 — Lot 84 Est R 500 – 1 500 A VINTAGE PORTUGUESE BRASS MARINE STICK BAROMETER – inscribed: K.D.J.S.C. 16 a 22, Dejoka, Lisbon on a silvered scale & featuring brass cased mercury thermometer & barometer, over a cylindrical column & cistern, suspended from an attached wall mount (Length: 77.5cm)

083 — Lot 85 Est R 1 000 – 3 000 A BLACK & WHITE PHOTOGRAPH OF PRESIDENT PAUL KRUGER CIRCA 1900 – signed by the photographer R. Steger (1871 – 1943), signed in black ink with Paul Kruger’s signature, framed & glazed (With frame: 77 x 67cm) (Without frame: 60.49.5cm) Note: Rudolf Gottfried Steger was one of several photographers who competed to photograph President Kruger. During May 1900, Steger submitted a £3 invoice for 2 dozen cabinet format photographs he took of President Kruger. Reference: http://www.theheritageportal.co.za/article/perfect-nuisance-and-mad-hatter-rudolf-gottfried-steger-pretoria-based-photographer-1898

203 — Lot 86 Est R 2 000 – 4 000 A LOOSE PAGE FROM THE GEDENK-PROGRAM KULTUURFEES VAN DIE VERRE NOORD-VRYSTAAT HEILBRON, 24 OKTOBER 1964 WITH SIGNATURES OF MEMBERS OF VERWOERD’S CABINET & NATIONAL PARTY MEMBERS – H F Verwoerd, H.B. Thom, J.J. Serfontein, A. Serfontein, S. Verwoerd, Sand du Plessis & Hauptfleisch, all signed in pen (With plastic sleeve)

288 — Lot 87 Est R 2 000 – 4 000 PRESIDENTIAL INAUGURATION FIRST DAY COVER 10.05.1994 – Cover no. 6.3C, includes proof R 5 Inauguration coin on cardboard sheet, stamped security no. 000002, signed by President Mandela in pen on the envelope (With plastic sleeve) Provenance: According to the present owner, Nelson Mandela signed this First Day Cover at the Nelson Mandela Foundation, Houghton

287 — Lot 88 Est R 2 000 – 4 000 A UNIQUE HAPPY 90TH BIRTHDAY MADIBA! 15.07. 2008 COMMEMORATIVE LIMITED EDITION FIRST DAY COVER – Cover no. 7.130 Stamped security no. 000016, 2 x stamps in miniature sheets, stamped in gold & black, signed by President Mandela in pen on the envelope. Provenance: According to the present owner, Nelson Mandela signed this First Day Cover at the Nelson Mandela Foundation, Houghton Note: The limited edition of two new stamps were available at all post offices throughout South Africa (Post Office sold out May 2009). The postage stamp featuring a photograph of Mr Mandela taken by photographer Halden Krog was used for domestic mail. The stamp featuring a painting of Mr Mandela by Cyril Coetzee was for international postage. Reference: https://www.amazon.com/African-Issued-Mandela-Birthday-Commemorative/dp/B00H4L8QCW

287_a — Lot 88 Est R 2 000 – 4 000 A UNIQUE HAPPY 90TH BIRTHDAY MADIBA! 15.07. 2008 COMMEMORATIVE LIMITED EDITION FIRST DAY COVER – Cover no. 7.130 Stamped security no. 000016, 2 x stamps in miniature sheets, stamped in gold & black, signed by President Mandela in pen on the envelope. Provenance: According to the present owner, Nelson Mandela signed this First Day Cover at the Nelson Mandela Foundation, Houghton Note: The limited edition of two new stamps were available at all post offices throughout South Africa (Post Office sold out May 2009). The postage stamp featuring a photograph of Mr Mandela taken by photographer Halden Krog was used for domestic mail. The stamp featuring a painting of Mr Mandela by Cyril Coetzee was for international postage. Reference: https://www.amazon.com/African-Issued-Mandela-Birthday-Commemorative/dp/B00H4L8QCW

289 — Lot 89 Est R 2 000 – 4 000 A 2001 MINT OF NORWAY STERLING SILVER 1 OZ PROOF COMMEMORATIVE MEDAL LAUREATES OF THE NOBEL PEACE PRIZE: NELSON ROLIHLAHLA MANDELA NOBEL PEACE LAUREATE 1993 – Mintage: 25 000 issued, the folder cover features 2 x Happy 90th Birthday Madiba! postage stamps & stamped in black, dated 15.07.2008, signed by President Mandela in pen on the 2nd page of the folder, stamped security no. 000014 (With slipcase & plastic sleeve) Provenance: According to the present owner, Nelson Mandela signed the folder at the Nelson Mandela Foundation, Houghton

285 — Lot 90* Est R 5 000 – 15 000 A UNIQUE NELSON MANDELA FOUNDATION & UMLANDO WEZITHOMBE. Nelson Mandela – The Authorised Comic Book. Publ. Jonathan Ball Publishers (Pty) Ltd, Jeppestown, Johannesburg 2008 in conjunction with the 90th Birthday of President Mandela, Stamped security no. 000017 inside the front cover features 4 x stamps in miniature sheets, stamped in gold & black on his 90th birthday, signed by President Mandela in pen on the title page (Hardcover) *****, accompanied by the Madiba Legacy Series – Becoming a Leader comic book Provenance: According to the present owner, Nelson Mandela signed this book at the Nelson Mandela Foundation, Houghton

286 — Lot 90 Est R 5 000 – 15 000 A UNIQUE NELSON MANDELA FOUNDATION & UMLANDO WEZITHOMBE. Nelson Mandela – The Authorised Comic Book. Publ. Jonathan Ball Publishers (Pty) Ltd, Jeppestown, Johannesburg 2008 in conjunction with the 90th Birthday of President Mandela, Stamped security no. 000017 inside the front cover features 4 x stamps in miniature sheets, stamped in gold & black on his 90th birthday, signed by President Mandela in pen on the title page (Hardcover) *****, accompanied by the Madiba Legacy Series – Becoming a Leader comic book Provenance: According to the present owner, Nelson Mandela signed this book at the Nelson Mandela Foundation, Houghton

204 — Lot 91 Est R 500 – 1 500 A GERMAN MILTARY STAHLHELM M1935 DESIGN SOLDIER’S HELMET – the smooth molybdenum steel body with a flared visor, skirt & ventilator holes, enclosing a leather liner & buckle strap (Height: 16.5cm)

205 — Lot 92 Est R 300 – 600 A UNION OF SA KORPS TER BESKERMING VAN NOODSAAKLIKE DIENSTE/ESSENTIAL SERVICES PROTECTION CORPS OFFICER’S SWAGGER STICK CIRCA 1939 – the horn & turned leather handle with affixed brass metal plaque inscribed: K.B.N.D./E.S.P.C. (Length: 56cm) (Minor losses to horn)

234 — Lot 93 Est R 3 000 – 6 000 A WILKENSON SWORD LTD SOUTH AFRICAN NAVAL OFFICER’S SWORD PATTERN 1827 POST-1961 – Serial no. 78744, the hand forged 79cm straight blade has a narrow single fuller on both sides with a flat spine tapering to a false edge and spear point, etched with a Georgian crown and the Royal Navy fouled anchor motif between fouled oak leaves & acorns, verso features the old coat of arms of the Republic of South Africa, the solid brass half-basket hilt & bowl features an uncrowned fouled anchor, lion-head pommel & two pierced holes with silver bullion sword knot, inner folding guard & ray skin grip with twisted copper wire wrap SOLD TOGETHER with the original leather scabbard fitted with brass mounts & suspension rings & a fish skin outer cover

100 — Lot 95 Est R 2 000 – 4 000 ITALIAN SCHOOL LATE 19TH – EARLY 20TH CENTURY AFTER THE ANTIQUE, PATINATED BRONZE, NARCISSUS – set on a circular rising socle base, with raised stiff palmette & beaded decoration (Total height: 39cm) Note: This bronze was probably a souvenir from the Grand Tour, it is after the original Greco-Roman bronze excavated at Pompeii in 1862 and now housed in the National Archaeological Museum, Naples, another similar bronze is also found in the National Trust, Ickworth House Collection

101 — Lot 96 Est R 3 000 – 6 000 ITALIAN SCHOOL LATE 19TH – EARLY 20TH CENTURY AFTER THE ANTIQUE, PATINATED BRONZE, DANCING FAUN – set on a rectangular-shaped rising plinth base (Total height: 45.5cm) Note: This bronze is an example after the Roman 2nd Century BC Pompeii bronze, housed in the National Archaeological Museum, Naples (Inv. No. 5002.) Reference: http://ancientrome.ru/art/artworken/img.htm?id=4873

296 — Lot 97 Est R 3 000 – 6 000 A GEORGIAN MAHOGANY & VENEER HANGING CORNER CABINET – the broken swan-neck pediment with central floral finial, above a ribbon & reed, beaded & gadrooned frieze over a pair of fruit-wood inlaid door panels, each featuring Neo-Classical Adam-Style decoration enclosing 2 x fitted shelves, the cabinet flanked by raised & carved floral boss & scrolling acanthus leaf bosses, on a conforming plinth base (114.5 x 75.5 x 54.5cm) (Replacements evident)

273 — Lot 98 Est R 3 000 – 6 000 A WILLIAM IV ROSEWOOD & VENEER FOLD-OVER CARD TABLE – the hinged rectangular-shaped top, swiveling & opening to reveal a baize-lined interior with lower storage compartment, central bombé-front dummy drawer flanked by two raised & carved leaf & scroll bosses, on a vase-shaped column with raised & carved acanthus leaf decoration, on a conforming shaped scrolled quadropod base (Closed: 71.5 x 91.5 x 44.5cm) (Open: 69 x 91.5 x 89.5cm) (Minor losses to veneer)

294 — Lot 99 Est R 1 000 – 3 000 A VICTORIAN BURR-WALNUT & VENEER WORK TABLE – the rectangular-shaped top over a single knopped drawer, on a conforming reeded vase-shaped column, on scrolled cabriole legs (Repairs & splits to top evident) (69 x 55.5 x 42cm)

272 — Lot 100 Est R 3 000 – 6 000 A VICTORIAN BURR-WALNUT & VENEER STRETCHER TABLE – the quartered & veneered cartouche-shaped top with inlaid banded fruitwood stringing, central floral husk & scrolling leaf medallion, over two raised, carved & reeded acanthus leaf decorated vase-shaped supports, united by a central reeded spindle-turned stretcher, on conforming scrolling cabriole legs, on casters (70 x 105 x 56.5cm)

242 — Lot 101 Est R 4 000 – 8 000 A VICTORIAN BURR-WALNUT TWO-TIER CANTERBURY WHAT-NOT – the quartered cartouche-shaped top with conforming raised & carved handles, above two raised, carved & pierced Rococo-style scrolling leaf supports, above a lower shaped pierced & fretted gallery with spindle-turned supports & music sheet divisions, on a conforming shaped apron, on turned feet on casters (90 x 63.5 x 43cm) (Minor losses evident)

243 — Lot 102 Est R 1 000 – 3 000 AN EDWARDIAN MAHOGANY NEST OF 3 X GRADUATED TABLES – each rectangular-shaped top with rebated edge & inlaid banding, over slender-turned legs, terminating in shaped feet & stretcher base (Largest: 73 x 56.5 x 36.5cm) (Water damage to smallest top)

233 — Lot 103 Est R 2 000 – 4 000 AN ENGLISH-MADE BURR WALNUT & VENEER CASED LANTERN-SHAPED BRACKET CLOCK CIRCA 1936 – Maker: Mappin & Webb, London & Johannesburg, the domed top with brass carrying-handle, above a glazed single door panel with affixed plaque inscribed: African Explosives and Industries Ltd, Presented to J.J Swanepoel For 20 Years Service 31.12.36 , enclosing a silvered chapter ring with Roman numerals & brass face, spade hands & featuring incised scrolling leaf & flower motifs, with gilt-metal cherubin spandrels, fitted hammer striking mechanism, chiming on the half & striking on the hour, the movement stamped with the Britannia trademark of the Perivale Clock Manufacturing Co, on a plinth base, on brass bracket feet (Height: 30cm) (With winder & pendulum -In working order)

218 — Lot 104 Est R 1 000 – 3 000 A SMITHS ENGLISH CLOCK LTD MAHOGANY-CASED WAR DEPARTMENT 1945 LONDON TIME-PIECE – with brass framed & glazed hinged door panel enclosing a white Roman numeral dial & seconds dial with spade hands (With winder & pendulum) (Height: 42cm)

295 — Lot 105 Est R 2 000 – 4 000 A C20S OAKWOOD LEAD-LIGHT BOOKCASE – Plaque inscribed: Shepherd & Barker Ltd, House Furnishers, Eloff & Jeppe Streets, Johannesburg, the rectangular-shaped top with 3/4 backrail, above a raised & fretted Chinoiserie-style frieze, over a pair of lead-glazed doors, enclosing 4 x adjustable shelves, on conforming bun feet (157.5 x 112 x 35cm)

275 — Lot 106 Est R 3 000 – 6 000 A PAIR OF BARCELONA CHAIRS AFTER LUDWIG MIES VAN DER ROHE (GERMAN 1886 -1969) – Originally designed in 1929-1931, each polished mirror-finished chrome scissor-shape cantilevered structure with joined material straps & metal buckles & loose black buttoned vinyl seat cushions PLUS a matching pair of Barcelona stools. Note: The Barcelona chair was designed for the interior of the Barcelona Pavilion at the 1929 International Exposition in Barcelona

274 — Lot 107 Est R 1 000 – 3 000 A CONTINENTAL WALNUT CIRCULAR LAMP TABLE – the circular-shaped top with raised, carved & pierced scrolling-leaf & flower gallery, above a gadrooned frieze & baluster-turned knopped column, supported on four conforming raised & carved foliate embellished splay legs (Height: 65cm; diameter: 68cm) (With glass table-top)

297 — Lot 108 Est R 15 000 – 25 000 A FINE SILK QUM PRAYER CARPET – featuring a fine Mihrab pattern, vase & all-over floral tracery & curvilinear arabesques, enclosed by running floral borders on a central maroon field, in colours of pink, sage, sky blue, crème, mocha & beige (210 x 136cm)

298 — Lot 109 Est R 6 000 – 10 000 A PERSIAN WOOL-BASED HUNTING PATTERN CARPET – depicting a Persian prince riding a black stallion beside his hunting dog & pursuing a herd of gazelles within a landscape with distant town beyond, on a cream field in colours of burgundy, sky blue, cobalt, beige, russet, pink, taupe, mustard & sage, enclosed by a principal border of vignettes of Royalty (210 x 135cm)

213 — Lot 110 Est R 1 000 – 3 000 A LADIES 9CT YELLOW GOLD RING – with rope-twist decoration & set with a mabé cabochon (Total mass: 11g) Lot 111 Est R 2 000 – 4 000 A MODERN COMBINATION LADIES SOLITAIRE DIAMOND ENGAGEMENT & WEDDING RING – 18ct yellow & white gold set with diamond gemstones (1 x gemstone deficient) (Total mass: 9g) Lot 112 Est R 2 000 – 4 000 A 22CT YELLOW GOLD LADIES DRESS RING – with hand-wrought open, pierced & layered stylised floral decoration, set with a central tourmaline rosette & flanked by 8 x pearls (Total mass: 7g)

214 — Lot 113 Est R 6 000 – 10 000 A PAIR OF GEORGE V GENTLEMAN’S SOVEREIGN CUFFLINKS – each set in a 9ct gold mount with mesh-link T-bar stud (Total mass: 16g)

215 — Lot 114 Est R 1 000 – 3 000 AN EDWARDIAN 9CT GOLD BRONZE CORE CHRISTENING BRACELET – Maker: Lawson, Ward & Gammage, London, with bright-cut floral decoration, snap-clasp & safety chain PLUS a ladies gold bangle, stamped 9ct (Total gold mass: 16g)

216 — Lot 115 Est R 500 – 1 500 3 X GRADUATED LADIES IVORY BANGLES, a graduated ivory bead necklace with ferrule clasp PLUS a clip-on earring

217 — Lot 116 AT BEST A STERLING SILVER SET MOTHER OF PEARL LADIES BROOCH/PENDANT STAMPED 925 – with abstract natural shell decoration, a Michel Herbelin Paris Quartz wristwatch & a crystal heart-shaped pendant

303

304 — Lot 118 Est R 300 – 600 A GENTLEMAN’S 9CT GOLD TIEPIN – set with a tigers-eye cabochon PLUS a silvered ladies floral rosette pendant set with paste jewels & a pair of ladies coral earrings. Lot 119 Est R 300 – 600 A LADIES 1920’S BELT BUCKLE CLASP – each clasp with raised & pierced cartouche-shaped frame & set with diamanté gemstones, an oval-shaped diamanté belt buckle & a Dutch silvered belt buckle, featuring raised floral motifs

305 — Lot 120 Est R 500 – 1 500 A VINTAGE LADIES GRADUATED AVENTURINE SEMI-PRECIOUS STONE NECKLACE WITH GILT-METAL MOUNTS & a pair of matching drop earrings

308 — Lot 121 Est R 1 000 – 3 000 A STERLING SILVER CASED GENTLEMAN’S HOLMES MANUAL WOUND POCKET FOB WATCH WITH SWISS 17 JEWELS MOVEMENT – stamped 925, the white enamel dial with Roman numerals, spade hands & seconds dial (Total mass: 85g) (With presentation box)

306 — Lot 122 Est R 1 000 – 3 000 2 X VINTAGE ENGLISH ROLLED GOLD PARKER 61 SIGNET PENS & MATCHING PENCIL – comprising: fountain pen, ball-point pen & pencil, each featuring all-over engine-turned decoration & jewelled cap (As found)

Collectors’ Books and Prints

113 — Lot 125 Est R 3 000 – 6 000 AUGUSTINUS, P. Botswana: A Brush with the Wild. Publ. Acorn Books CC, Randburg , Johannesburg 1987, Foreword by Ian Player (Collectors copy Volume no. 47/150 copies issued); signed by the artist in felt-tip pen (Quarter bound leather & marbled boards) **** (With slipcase)

114

115 — Lot 127 Est R 3 000 – 6 000 FINCH-DAVIES, C.G. The Bird Paintings of Claude Gibney Finch-Davies. Publ. Winchester Press, Johannesburg 1984, Introduction by Dr. Alan Kemp, Collectors volumes 1/300 copies issued & hand-bound by Peter Carstens (Quarter bound leather & marbled boards) **** (With slipcase)

116 — Lot 128 Est R 500 – 1 500 GARGETT, V. The Black Eagle: A Study. Publ. Acorn Books and Russel Friedman Books in association with The Trustees of John Voelcker Bird Book Fund 1990, Collector’s Edition no. Volume 35/200 copies issued, binding by Peter Carstens, Johannesburg (Quarter bound leather & marbled boards) ***** Ex Libris Harvey, accompanied by a limited edition print, signed in pencil by the artist Robert.A.G. Davies & numbered 35/200

117 — Lot 129 Est R 500 – 1 500 HORSBRUGH, R. B. The Gamebirds and Waterfowl of South Africa, with colour plates by Claude Gibney Davies (a facsimile reprint of the original work published in London during 1912). Publ. Winchester Press, Johannesburg 1978, Ltd edition of 100 de luxe Collector’s volumes Binding by Peter Carstens Johannesburg (Quarter bound leather & marbled boards) ***** (With slipcase)

118 — Lot 130 Est R 500 – 1 500 KEMP, A. & CALBURN, S. The Owls of Southern Africa. Publ. Struik Winchester, Struik House, Cape Town 1987, Collectors’ Edition no. 48/300 copies signed by the author & illustrator (Quarter bound leather & marbled boards) ***** (With slipcase) Ex Libris Harvey

119 — Lot 131 Est R 500 – 1 500 SAUNDERS, K. & SAUNDERS, E. Flower Paintings of Katharine Saunders – Her Life & Times. Botanical and Biographical Notes and Explanations, Emeritus Prof. A.Bayer. Publ. The Tongaat Group Limited, Natal 1979, Collectors Edition no. 41/250 copies issued, with 4 x additional plates, bound by Peter Carstens (Quarter bound leather & boards) **** (With slipcase)

120 — Lot 132 Est R 1 000 – 3 000 CULLINAN, P. Robert Jacob Gordon 1743 -1795, The Man and his Travels at the Cape. Publ. Struik Winchester, Cape Town 1992, Collectors’ Edition no. 96/150 copies issued & hand-bound by Peter Carstens, Johannesburg, signed by the author in pen, Ex Libris Harvey (Quarter bound leather & marbled boards) **** (With slipcase)

121 — Lot 133 Est R 1 000 – 3 000 ALLEN, V. Kruger’s Pretoria: Buildings and personalities of the city in the nineteenth century, With drawings by Hannes Meiring. Publ. A.A. Balkema, Cape Town 1971, Ltd edition no. 90/200 copies, signed by the author (Quarter leather & marbled boards)

122 — Lot 134 Est R 500 – 1 500 DUNSTON, L & DUNSTON, T. (Dr). Young Pretoria 1889- 1913. Publ. Lola Dunston, Pretoria 1975, signed by the author & inscribed in pen with a dedication: To dear Eric from Lola Dunston & further inscribed with the date Pretoria, 28th Sept 1987 & coloured photograph of Lola Dunston & Eric (?) (Hardcover) *** (dw) (Condition report: Spine damaged)

123 — Lot 135 Est R 1 000 – 3 000 HUGHES, N. The Paintings of The Bay of Natal: A Selection of Works dating from 1845 to 1982. Publ. Metrade (Proprietary) Limited, Craighall. Deluxe edition no. 23/150 copies issued, (bound by Peter Carstens in half leather using blue goatskin supplied by Harmatan Leather Limited, Northampton, England and stone patterned marble paper supplied by Jackie Flechter, Durban) **** (With slipcase)

124 — Lot 136 Est R 500 – 1 500 BARAITSER, M. & OBHOLZER, A. Cape Country Furniture: A Pictorial Survey of Regional Styles, Materials and Techniques in the Cape Province of South Africa. Publ. A.A. Balkema, Cape Town 1971, Ltd edition no. 54/200 copies issued, signed by both authors in pen (Quarter leather bound with marbled boards) ****

125 — Lot 137 Est R 100 – 300 GORDON-BROWN, A. Christopher Webb Smith: An Artist at the Cape of Good Hope 1837 – 1839. Publ. Howard Timmins, Cape Town 1965 (Hardcover) *** (dw)

126 — Lot 138 Est R 1 000 – 3 000 D’ OYLY, C. (Sir) & GORDON-BROWN, A. The Cape Sketchbooks of Sir Charles D’ Oyly 1832-1833: depicting Cape Town, The Countryside & Neighbouring Villages, Publ. A.A. Balkema, Cape Town 1968, with an Introduction by A. Gordon-Brown (Quarter leather bound) **** Lot 139 Est R 1 000 – 3 000 GORDON-BROWN, A. Pictorial Africana: A survey of Old South African paintings, drawings and prints to the end of the nineteenth century with a biographical dictionary of one thousand artists. Publ. A.A. Balkema, Cape Town & Rotterdam 1975. Ltd edition no. 191/200 copies, signed by the author in pen (Quarter leather bound & marbled boards) ****

127 — Lot 140 Est R 500 – 1 500 MURRAY, M. Under Lion’s Head: Earlier Days at Green Point and Sea Point. Publ. A.A. Balkema, Cape Town 1964, Ltd edition no. 38/ 1 000 copies issued (Quarter leather bound & marbled boards) **** (dw) Lot 141 Est R 500 – 1 500 LORIMER, K.E. Panorama of Port Elizabeth. Publ. A.A. Balkema, Cape Town 1971, Ltd edition no. 56/200 copies, signed by the author (Quarter leather bound & marbled boards) ****

128 — Lot 142 Est R 500 – 1 500 WOODWARD, C.S. Oriental Ceramics at the Cape of Good Hope 1652-1795: An account of the porcelain trade of the Dutch East India Company with particular reference to ceramics with the V.O.C. Monogram, the Cape market & South African collections. Publ. A.A. Balkema, Cape Town & Rotterdam 1974 . Special Edition no. 67/200 copies, signed by the author in pen (Quarter bound with marbled boards) **** (dw)

129 — Lot 143 Est R 500 – 1 500 RAATH, A.W.G. (Hoogleraar: Universiteit van die Vrystaat). Die Boerevrou, 1899 -1902 Deel 1: Moederleed. Uitgewer. Volkskomitee vir die Herdenking van die Tweede Vryheidsoorlog (Op inisiatief van die Vrouekomitee) 2002. Eerste uitgawe. Ltd Edition no. 675/750 copies issued) (Softcover) **** + Die Boerevrou, 1899 – 1902 Deel 2: Kampsmarte. Uitgewer: Volkskomitee vir die Herdenking van die Tweede Vryheidsoorlog (Op inisiatief van die Vrouekomitee) 2002. Eerste uitgawe. Ltd Edition no. 675/750 copies issued (Softcover) ****

047 — Lot 144 Est R 500 – 1 500 AFTER AUDUBON, JAMES JOHN (AMERICAN 1785 – 1851) – Framed coloured engraving: From Birds of America (1827 – 1838). Purple Gallinule, Gallinula Martinica. Gmel, Adult Male spring plumage (No. 61 Plate CCCV), inscribed: Drawn from Nature by J.J. Audubon F R S E L S, Engraved, Printed & Coloured by R. Havell. 1836, framed & glazed (37.5 x 61.5cm)

072 — Lot 145* Est R 500 – 1 500 AFTER BAINES, (JOHN) (THOMAS) FRGS (SA 1820 – 1875) – Framed Lithographs: From the Victoria Falls, Zambesi River: Sketched on the Spot (During the Journey of J. Chapman & Thomas Baines (published in 1865) (A) 2. The Falls by Sunrise, with The Spray Cloud rising 1,200 feet. Hand coloured lithograph, framed & glazed (30.5 x 41.5cm) (B) 3. The Leaping Water or Westernmost Cataract, . Hand coloured lithograph, framed & glazed (43 x 29cm) (Tear evident), (C) 7. _ Centre Rock Fall And The Eastern Cataracts. (Seen through the outlet of the lower river). Hand coloured lithograph (31 x 42.5cm) all inscribed: T. Baines delt_T. Picken, lith. London Published October 4th. 1865 by Day & Son (Limited) Lithographers, Gate Street, Lincoln’s Inn Fields. W.C. respectively (Condition report: Foxing evident)

073 — Lot 145 Est R 500 – 1 500 AFTER BAINES, (JOHN) (THOMAS) FRGS (SA 1820 – 1875) – Framed Lithographs: From the Victoria Falls, Zambesi River: Sketched on the Spot (During the Journey of J. Chapman & Thomas Baines (published in 1865) (A) 2. The Falls by Sunrise, with The Spray Cloud rising 1,200 feet. Hand coloured lithograph, framed & glazed (30.5 x 41.5cm) (B) 3. The Leaping Water or Westernmost Cataract, . Hand coloured lithograph, framed & glazed (43 x 29cm) (Tear evident), (C) 7. _ Centre Rock Fall And The Eastern Cataracts. (Seen through the outlet of the lower river). Hand coloured lithograph (31 x 42.5cm) all inscribed: T. Baines delt_T. Picken, lith. London Published October 4th. 1865 by Day & Son (Limited) Lithographers, Gate Street, Lincoln’s Inn Fields. W.C. respectively (Condition report: Foxing evident)

071 — Lot 145 Est R 500 – 1 500 AFTER BAINES, (JOHN) (THOMAS) FRGS (SA 1820 – 1875) – Framed Lithographs: From the Victoria Falls, Zambesi River: Sketched on the Spot (During the Journey of J. Chapman & Thomas Baines (published in 1865) (A) 2. The Falls by Sunrise, with The Spray Cloud rising 1,200 feet. Hand coloured lithograph, framed & glazed (30.5 x 41.5cm) (B) 3. The Leaping Water or Westernmost Cataract, . Hand coloured lithograph, framed & glazed (43 x 29cm) (Tear evident), (C) 7. _ Centre Rock Fall And The Eastern Cataracts. (Seen through the outlet of the lower river). Hand coloured lithograph (31 x 42.5cm) all inscribed: T. Baines delt_T. Picken, lith. London Published October 4th. 1865 by Day & Son (Limited) Lithographers, Gate Street, Lincoln’s Inn Fields. W.C. respectively (Condition report: Foxing evident)

074 — Lot 146 Est R 300 – 600 AFTER ROBINSON, HUGH (SA MID-19TH CENTURY) – Framed Lithographs Scenes in K***land, and incidents in the K*** War of 1851-2-3 from sketches by two officers of the 43rd Lt.-Infantry – (A) K**** and H*tt*ntots War Party. Hand coloured lithograph, signed in the plate H R framed & glazed, inscribed: Lithographed, Printed & Published by Dickinson Brothers, 114 New Bond St. (35 x 44cm) Note: A collection of interesting lithographic views. The initials of the artists are L.G. and H.R. Note: On examination of Hart’s Army List for 1853, it appears that the only officers of the 43rd Light Infantry answering to these initials were lieutenants Lumley Graham and Hugh Robinson.

Session 2 @ 11:30 SA Art & Artists’ Reference Books

130 — Lot 150 Est R 300 – 600 BERMAN, E. The story of South African Painting. Publ. A.A. Balkema, Cape Town & Rotterdam 1974, First edition 1975 (Hardcover) **** (dw) Lot 151 Est R 500 – 1 500 OGILVIE, G. The Dictionary of South African Painters and Sculptures. Publ. Everard Read, Rosebank, Johannesburg 1988 (Hardcover) **** (dw)

131 — Lot 152 Est R 1 000 – 3 000 ROBBINS, D. Keith Alexander : The Artist in Retrospect. Publ. Jonathan Ball Publishers, Johannesburg 2000, Collector’s Special Edition no. 23/100 copies issued (Quarter bound leather with marbled boards) **** (With slipcase)

132 — Lot 153 Est R 300 – 600 AFTER ASCHENBORN, H A. & CELLIERS, J F E. Die Vlakte – Etse vir Gedigte van Jan F.E. Cilliers deur Hans Anton Aschenborn, Publ. Phoenix, Lynn-East, Pretoria 1975, no. 100 van 200 eksemplare contains 4 x offset prints of etchings by Hans Anton Aschenborn with verses by the poet Jan F.E. Celliers – en swart teen die gloed sprei die bome hul arme, Die osse, met koppe gebuie, berhoue nog stil in die nag, Tot die yl-bloue bande van die ver-verrerande & Die osse stap aan deur die stowwe (Folio) ****, inscribed with a dedication in German & signed in felt tip pen by the artist’s son Hansjörg Aschenborn (With typed correspondence in German)

133 — Lot 154 Est R 1 000 – 3 000 AFTER ASCHENBORN, H.A. Linosnee/ Linocuts/Linolschnitte No. I. Publ. Phoenix, Lynn-East, Pretoria 1971, Ltd edition no. 235, contains 10 x linocuts & an illustrated booklet which also features the Lantern Desember 1965 article by Karin Skawran (Die Grafiese Kuns van H.A. Aschenborn), signed by Hansjörg Aschenborn in felt-tip pen, Ex Libris D.M. Joubert (Folio) **** + Etchings/ Etse/ Radierungen/ No. II. Publ. Phoenix, Lynn-East, Pretoria 1972, Ltd edition no. 206, contains 10 x etchings & an illustrated booklet with the Lantern 1965 article in English, signed by Hansjörg Aschenborn in felt-tip pen, Ex Libris D.M. Joubert (Folio) **** + Steindrucke/Litografiee/Lithographs. Publ. Phoenix, Lynn-East, Pretoria, Ltd Edition no. 40, contains 10 x lithographs from the large Afrika-Mappe & Lantern article is in German (Folio) ****

134 — Lot 155 Est R 1 000 – 3 000 ASCHENBORN, D. Aschenborn. Publ. Gamsberg, Windhoek 1989 (Cloth bound) ****dw (With slipcase)

135 — Lot 156 Est R 500 – 1 500 WALLIS, J.P.R. & BRADLOW, F.R. Thomas Baines: His life and exploration in South Africa, Rhodesia and Australia 1820 -1875, with 178 illustrations of Baines drawings, water-colours, etc. With captions and a new introduction by F.R. Bradlow Publ. A.A. Balkema Cape Town & Rotterdam 1976, Ltd edition no. 103/200 copies issued & signed by the contributing author in pen (Quarter bound with marbled boards) *** (dw)

0082 — Lot 157 Est R 1 000 – 3 000 BALDINELLI, A. Baldinelli. Publ. Bruce Attwood. featuring 6 x loose colour reproduction prints, signed by the artist in pen (Portfolio)***

136 — Lot 158 Est R 4 000 – 8 000 BALDINELLI, A. 10 Original Woodcuts by Armando Baldinelli, the portfolio contains 10 x original woodcuts, each signed in the plate & signed again in pencil & numbered 16/25 respectively (Portfolio) ****

283 — Lot 159 AT BEST SCHOONRAAD, M. Walter Battiss (South African Art Library series). Publ. C.Struik Publishers, Cape Town & Johannesburg 1976, signed by Battiss in pen on the frontis, dated 11.11.76, signed again & dated on the title page (Hardcover) ** (dw)

137 — Lot 160 Est R 5 000 – 15 000 SCHOONRAAD, M. & BATTISS, G. (compl). Comores. Publ. Red Fawn Press, 1989 (2 coloured plates & 22 drawings.) Ltd edition of 200 copies issued (Leather bound) ****

138 — Lot 161 Est R 5 000 – 15 000 MACNAMARA, M. SKAWRAN, K (Editors). Walter Battiss. Publ. AD. Donker (Pty) Ltd, Craighall 1985, Sponsor’s edition no. 9/100 numbered copies issued, (bound by Peter Carstens of Johannesburg in half leather, using French goatskin & French hand marbled papers) (With slipcase) ****

139 — Lot 162 Est R 200 – 400 JOUBERT, D M & SCHOONRAAD, M G. Gregoire Boonzaier: Impressions of Trees. Publ. University of Pretoria 1990, (Hardcover) **** (dw) Lot 163 Est R 500 – 1 500 BEKKER, M. Gregoire Boonzaier. Publ. Human & Rousseau (Pty) Ltd, Cape Town 1990 (Standard edition) (Hardcover) **** (dw) (With slipcase)

140 — Lot 164 Est R 1 000 – 3 000 BEKKER, M. Gregoire Boonzaier. Publ. Human & Rousseau (Pty) Ltd, Cape Town 1990, Collectors’ Edition no. 64/100 copies issued, bound in Quarter-leather and Dutch linen by Peter Carstens, Johannesburg & contains an original signed & numbered 64/100 linocut, signed by the artist & author in pen ****

141 — Lot 165 Est R 500 – 1 500 VILJOEN, D. & STEVENSON, M. Christo Coetzee: Paintings From London and Paris 1954 – 1964. Publ. Fernwood Press (Pty) Ltd 2001, Special Edition no. 1/30 copies issued, signed by both authors (Hardcover) ***** (With slipcase)

142 — Lot 166 Est R 5 000 – 15 000 COETZER, W.H. Stillewes/Still lifes. Publ. Cum Books, Roodepoort 1982, Gold Edition no. 1/10 copies issued, First edition, signed by the artist in pen signed again on a glossy lithographic reproduction print, the cover features a mounted stamped 9ct gold raised relief portrait of the artist by Isa Steynberg-Wiechers (Buffalo leather bound) ***** (With presentation box) (Extremely scarce)

143 — Lot 167 Est R 1 000 – 3 000 COETZER, W.H. Retrospective Still Life Exhibition catalogue 5th – 28 Feb 1974, inscribed in felt-tip pen with a dedication, signed twice & dated 23.2.74 (Exhibition catalogue) *** (Condition report: Minor foxing evident)

144 — Lot 168 Est R 2 000 – 4 000 COETZER, W.H. Hand-written notes of WH Coetzer (2 x pages): The Rhythm of the Bushman line (English text) & Verduideliking van Simbolie van The Rhythm of the Bushman line (omslag) (Afrikaans text), both pages are signed by the artist (Cloth bound) ***** + glossy lithographic print, signed by the artist in pen

0089 — Lot 169 Est R 500 – 1 500 DAVIS, B. Genesis: Woodcuts by Bill Davis. Publ. Qualitas Publishers, Arcadia, Pretoria 1986, text according to the revised standard Bible, accompanying illustrations are from the first Four Chapters of Genesis (Hardcover) *** dw

0093

0096

0104

0111 — Lot 173 Est R 1 000 – 3 000 DUMAS, M. Marlene Dumas: Intimate Relations, Jacana Media, Johannesburg 2007/ Roma Publications, Amsterdam 2007 (Exhibition catalogue -Paperback) ****

0113

0120

0123 — Lot 176 Est R 1 000 – 3 000 DUMAS, M. Broken White. Publ. Marugame Genichiro-Inokuma Museum of Contemporary Art/Museum of Contemporary Art, Tokyo 2007 (Exhibition catalogue – Hardcover) **** dw

145

0109

146

0099

0105

147

148

149 — Lot 184 Est R 10 000 – 20 000 DU TOIT,P. Paul du Toit, Sculptures/Paintings. Publ. Bell-Roberts, Cape Town 2001, Ltd edition of 50 copies, signed by the artist & copyright symbol on the cloth over board cover & back in acrylic with black & white banding (Cloth bound with screws) **** Note: Stab binding makes opening this book difficult

150 — Lot 185 Est R 2 000 – 4 000 ELOFF, Z. & HART, S. Drawn from Life: A Portfolio of Wildlife drawings by Zakkie Eloff. Prose by Sue Hart, Publ. Chris van Rensburg Publications (Pty) Ltd, Johannesburg 1982, Ltd edition of 26 copies with the letters A-Z issued, this copy is A (English edition) (Hardcover) **** ribbon, with slipcase, signed by the artist & author

0184

0185

0186

0187

0188 — Lot 190 Est R 3 000 – 6 000 GOLDBLATT, D & VLADISLAVIC I. TJ: Johannesburg Photographs 1948 – 2010. Publ. Umuzi 2010, signed by the author in pen on the frontis (Paperback) + VLADISLAVIC, I. Double Negative: A Novel. Publ. Umuzi 2010 (Softcover) **** (With slipcase)

151 — Lot 191 Est R 500 – 1 500 AFTER T.O. HONIBALL- T.O. Honiball Promosies, Tema en Variasies/ Themes & Variations. (Adoons-hulle). Printed by Alex White & Co (Pty) Ltd, 4 x loose lithographic reproduction prints in colours & 6 x black & white Adoons-hulle postcards (Folio) ****

152 — Lot 192 Est R 500 – 1 500 HONIBALL, T.O. Oom Kaspaas op hol. Publ. Tafelberg-Uitgewers Beperk, Kaapstad 1979 (Hardcover) ***+ Adoons -hulle boer vorentoe. Publ. Tafelberg-Uitggewers Bpk, Eerste druk 1977 (Hardcover) *** + Adoons-hulle dons op. Publ. Tafelberg-Uitgewers Bpk, Kaapstad 1977 (Hardcover) ***

153 — Lot 193 Est R 3 000 – 6 000 HODGINS, R & VAN WYK, R. The Ceramic Art of Robert Hodgins. Publ. Bell-Roberts Publishing, Cape Town 2008, Collector’s edition no. K/26 copies issued, inscribed with a dedication by the artist in pen: For Simeon who shares my -mm – tastes?, signed & dated 7/2/08 (Cloth bound) ***** (With slipcase, features a glazed & signed painted ceramic tile) (Tile size: 9.5 x 9.5cm)

154 — Lot 194 Est R 1 000 – 3 000 DE VILLIERS, S.A. Otto Landsberg 1803-1905: 19th century South African artist. Publ. C.Struik (Pty) Ltd, Cape Town & Johannesburg, First edition 1974, De Luxe edition no. 29/100 copies, signed in pen by the author (Hardcover) ****

284 — Lot 195 AT BEST VAN ROOYEN, J. Maggie Laubser (South African Art Library series). Publ. C Struik Publishers, Cape Town & Johannesburg 1974 (Hardcover) *** (dw) + ARNOTT, B. Claude Bouscharain. Publ. C Struik Publishers, Cape Town & Johannesburg (Hardcover) **(dw) (Title page missing)

155 — Lot 196 Est R 1 000 – 3 000 ARNOTT, B & MIROS, V. Lippy Lipshitz: A biographical commentary & documentation of the years 1903 -1968 with catalogue raisonné of sculptures. Publ. A.A.Balkema, Cape Town 1969. Ltd edition 43/100 copies issued, signed by the author & artist in pen (Hardcover) **** (dw) includes an original etching: Exiled. Etching, signed Lippy in pencil, dated 1969 & numbered 43/100 (Sheet size: 28 x 20cm)

156

157

158 — Lot 199 Est R 5 000 – 15 000 QUIN, M. Sculptures. Publ. Du Plessis House, 5 Suid Str, Alexandria, Eastern Cape 2014. Collectors edition, a Special Edition Limited to 30 copies, signed by the artist in pen & dated 29.03.2014, the cover features a unique mounted & signed The Dance of Life bronze (2013) (Leather bound) ***** (With slipcase)

159 — Lot 200 Est R 2 000 – 4 000 ROOS, N. Kuns in Suidwes-Afrika / Art…/ Kunst… Publ. J.P. van der Walt & Seun (Edms) Bpk, Pretoria 1978, Ltd edition 55/100 copies issued & signed by the author (Leather bound) **** (With slipcase)

160 — Lot 201 Est R 5 000 – 15 000 LINDOP, B & DE BEER, M. (Editor). Gerard Sekoto. Publ. dictum publising cc. Presentation volume, bound by Peter Carstens, Johannesburg 1988, signed by the author & artist in pen on the title page (Quarter bound leather & marbled boards) **** (With slipcase) PLUS a Sunday Times, March 28 1993 newspaper article by Heather Robertson

161 — Lot 202 Est R 1 000 – 3 000 ELLIOT, P. Nita Spilhaus (1878-1967) and her artist friends in the Cape during the early twentieth century. Publ. Peter Elliot, Newlands, Cape Town 2015. Collectors’ edition (Hardcover) ***** (With slipcase) accompanied by a Fine art print of an original etching by Nita Spilhaus in the Sanlam Art Collection. Kirstenbosch, Constantia, Mountain Path

162 — Lot 203 Est R 300 – 600 SHEPHERD, D. An Artist in Africa. Publ. Collins Publishers in association with The Tryon Gallery, London 1969 (Cloth bound) **** sans dw

0180 — Lot 204 Est R 500 – 1 500 SHEPHERD, D. The Man & His Paintings. Publ. David & Charles, Newton Abbot & London 1989 (Fifth impression) (Hardcover) **** dw

COPYRIGHT SLIDE 3 - Copy (2) — Lot 94 Est R 6 000 – 10 000 LAUBSER, MARIA MAGDALENA (MAGGIE) (SA 1886 – 1973) Seascape with Birds, Boat and distant Mountain Pencil on paper, signed (10.5 x 16cm)

164 — Lot 206 Est R 5 000 – 15 000 STEYNBERG, C. Coert Steynberg: n Outobiografie. Publ. CUM Boeke, Pretoria 1982, Eerste uitgawe & Goue uitgawe no. 1/15 eksemplare, the cover features a mounted stamped 9ct gold raised relief of Siklonella by Isa Steynberg-Wiechers (Buffalo leather bound) ***** (With slipcase) PLUS Onthulling van Piet Retief-Standbeeld deur Mev. M.M. Jansen program (Vrydag, 6 April 1962 te Pietermaritzburg), signed by the artist on the cover

165 — Lot 207 Est R 1 000 – 3 000 STEYNBERG, C. 3 x pages of type-written notes from Coert Steynberg: Outobiographie van Coert Steynberg Byvoegsel tot lys van Beeldhouwerke; Outobiographie van Coert Steynberg, Hoofstuk oor Kunstenaars wat hom beindruk het. Byvoegsel & Coert Steynberg (Vervolg), all with hand-written annotations, signed in pen on the first page & signed again on the 3rd page (Cloth bound) **** + a photograph of a sculpture – inscribed on verso: Foto van die beeld van Mabalel, deur Coert Steynberg, foto geskenk deur Betsie Steynberg

166 — Lot 208 Est R 3 000 – 6 000 EGLINGTON, C. Maud Sumner. Publ. Purnell and Sons SA (Pty) Ltd. Cape Town & Johannesburg 1967, 1st Edition, De-Luxe Edition no. 4/100 copies issued, signed by the author & Maud Sumner, Ex libris Anthony Louw (Leather bound) ****

0182 — Lot 209 Est R 1 000 – 3 000 BUNCHER, R. Tretchikoff. Publ. Howard Timmins, 58/60 Long Street, Cape Town for George Allen & Unwin., London (First printing 1950). Foreword by Prebble Rayner, all photographs of the paintings by Noel Smidt, Cape Town (Bound folio)*** (With slipcase) (Slipcase distressed)

167

168 — Lot 211 Est R 500 – 1 500 HEYNEKE, J. Marié Vermeulen-Breedt: A Celebration of Paint, Light and Colour. Publ. Argentofot Wenske, Germany 1998, inscribed in felt-tip pen: To André Geldenhuys & signed by the artist & dated July 2004 (Softcover) ****

169 — Lot 212 Est R 10 000 – 30 000 VERMEULEN-BREEDT, M. Inside/Out: The Work of Marié Vermeulen-Breedt. Publ. Studio Stamp, Barry & Bester (Pty) Ltd, Parkview 2008 (First edition) Ltd edition 26 collectors copies numbered A- Z, this copy is Q (Leather bound) **** signed by the artist in pen on the frontis & accompanied by an original oil painting in a solander box: Reading Time. Oil on canvas on board, signed & dated 2009 (33 x 25cm) PLUS DE JAGER, J. Marié Vermeulen-Breedt: Selected Interior & Equestrian Paintings 1998 – 2002. Publ. Investment Art, Johannesburg 2002 (Paperback) (dw) ****

South African & European Art & Sculpture

063 — Lot 215 Est R 500 – 1 500 AFTER BATTISS, WALTER WHALL FRSA FIAL (SA 1906 – 1982) – The Fire of Eve. Lithographic reproduction print, signed in pencil Giles Battiss & numbered 159/200 (43 x 52.5cm)

096 — Lot 216 Est R 1 000 – 3 000 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 – 1982) – Sappho 5 (From the Nesos Portfolio). Silkscreen on paper, signed in pen & inscribed with the title on a backing sheet of paper (33.5 x 46cm each) Literature: BATTISS, W.W. & SIEBRITS, W.* Walter Battiss: “I invented myself” : the Jack M Ginsberg Collection p. 86, pl. 1968.18. S8* illustrates the image

038 — Lot 217 Est R 500 – 1 500 BASSO, FERDINANDO DEL (ITALIAN 1897 – 1971) – Marina. Oil on canvas on board, signed, inscribed in Italian with the artist’s name, title, measurements & original price on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse (29 x 23cm)

037 — Lot 218 Est R 500 – 1 500 BASSO, FERDINANDO DEL (ITALIAN 1897 – 1971) – Paesaggio. Oil on canvas on board, signed, inscribed with the artist’s name on an affixed plaque below the work, inscribed again in Italian with the artist’s name, title, measurements & original price on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse (22.5 x 29cm)

059 — Lot 219 Est R 6 000 – 10 000 BENADE, HANNEKE (SA 1972 – ) – ‘Aven – Portrait of Ruan Hoffmann. Pastel, signed in pen, dated 1999 and inscribed with the title (70 x 70cm)

013 — Lot 220 Est R 1 000 – 3 000 BENZON, LEONARD ANTON (SA 1944 – ) – Sunlit Boland Cottages. Oil on board, signed (23 x 32cm)

048 — Lot 221 Est 3 000 – 6 000 BENZON, LEONARD ANTON (SA 1944 – ) – Landscape with Cape Farmhouse, Trees & Mountains. Oil on canvas, signed (60 x 90cm)

0093 — Lot 222 Est R 5 000 – 15 000 BOONZAIER, GREGOIRE JOHANNES SA 1909 – 2005 Plakkies Pastel & ink on paper, signed & dated 1994 (37 x 26,5cm)

099 — Lot 223 Est R 6 000 – 10 000 BORBEREKI, ZOLTAN (SA 1907 – 1992) – 5 x Figures.Terrazzo relief panel (37.5 x 48.5 x 9cm) Provenance: Lupini Brothers (Pty) Ltd, property of Mario Lupini

183 — Lot 224 Est R 500 – 1 500 BOSCH, ANTON (SA 1958 – ) – Hexagonal palm pot. Glazed stoneware body with naïve scgrafitto leaf motifs (Height: 47cm)

106 — Lot 225 Est R 10 000 – 20 000 BOSHOFF, ADRIAAN HENDRIK (SA 1935 – 2007) – Grazing Cows. Oil on board, signed (9.5 x 20cm)

027 — Lot 226 Est R 8 000 – 15 000 BOYLEY, ERROL STEPHEN (SA 1918 – 2007) – Farm P.E. Oil on board, signed & inscribed with the title on the reverse (44.5 x 60cm)

265 — Lot 227 Est R 8 000 – 15 000 BOYLEY, ERROL STEPHEN (SA 1918 – 2007) – Moored Boats on the Estuary. Oil on board, signed (48 x 53cm)

254 — Lot 228 Est R 3 000 – 6 000 BOYS, GEORGE (SA 1930 – 2014) – Abstract Flowers in a Vase. Acrylic on paper, signed & dated 1989 (87 x 67cm)

018 — Lot 229 Est R 2 000 – 4 000 BROADLEY, ROBERT (SA 1908 – 1988) – Shaded Mountains, Eastern Cape. Oil on canvas on board, signed & dated ’41 (50 x 60cm)

008 — Lot 230* Est R 15 000 – 25 000 BROMBO, ANGELO (ITALIAN 1893 – 1962) – Gieco di bimbi. Oil on canvas, signed, inscribed in Italian with the artist’s name, title, measurements & original price on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse (69 x 99cm)

009_a — Lot 230 (Gallery label) inscribed in Italian with the artist’s name, title, measurements & original price on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse

057 — Lot 231 Est R 3 000 – 6 000 BÜCHNER, CARL ADOLPH (SA 1921 – 2003) – Portrait of a Youth. Mixed media, signed (40.5 x 28.5cm)

035 — Lot 232 Est R 1 000 – 3 000 CARPA, W. (ITALIAN POW 20TH CENTURY) – Pescatore in barche a remi sul canale veneziano. Oil on board, signed (21.5 x 41.5cm)

033 — Lot 233 Est R 5 000 – 15 000 CASELLI, GIUSEPPE UGO (ITALIAN 1893 – 1976) – Marina. Oil on canvas, signed, inscribed in Italian with the artist’s name, title, measurements & original price on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse (43.5 x 63cm)

252 — Lot 234 Est R 8 000 – 15 000 CILLIERS-BARNARD, BETTIE (SA 1914 – 2010) – Three Faces. Watercolour, signed & dated 1955 (46 x 34.5cm)

049 — Lot 235 Est R 1 000 – 3 000 CLAERHOUT, FRANS MARTIN FR (SA 1919 – 2006) – Portrait of a Woman. Mixed media on paper, signed (58 x 33cm)

039 — Lot 236 Est R 1 000 – 3 000 CLAERHOUT, FRANS MARTIN FR (SA 1919 – 2006) – Nude. Mixed media, signed (56 x 31.5cm)

040 — Lot 237 Est R 2 000 – 4 000 CLAERHOUT, FRANS MARTIN FR (SA 1919 – 2006) – Seated Woman. Mixed media, signed (41.5 x 29cm)

088 — Lot 238 Est R 500 – 1 500 CLAERHOUT, FRANS MARTIN FR (SA 1919 – 2006) – Girl with Cat. Mixed media, signed (29.5 x 21cm)

246 — Lot 239 Est R 2 000 – 4 000 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 – 1983) – On top of the mine dump, Chris Shaft, Robinson Deep. Drypoint etching, signed in the plate & dated 1936, signed again in reverse with the date in the plate, signed in pencil & numbered 10. (25 x 31.5cm) Literature: Stanz, M. W H Coetzer in Print: Complete oeuvre of graphic works p. 66, pl.78 illustrates the image

007 — Lot 240* Est R 3 000 – 6 000 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 – 1983) – Cathedral Peak. Oil on board, signed & dated ’41, inscribed with the title in pencil & felt-tip pen on the reverse (15 x 26cm)

007_a — Lot 240 Est R 3 000 – 6 000 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 – 1983) – Cathedral Peak. Oil on board, signed & dated ’41, inscribed with the title in pencil & felt-tip pen on the reverse (15 x 26cm)

011 — Lot 241 Est R 8 000 – 15 000 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 – 1983) – Sea Cottage. Oil on board, signed & dated ’57 (29 x 44.5cm) Note: In 1950 – 1960 W H Coetzer owned a property in Ramsgate and often holidayed there. This cottage was situated next door to his home.

004_a — Lot 242* Est R 10 000 – 20 000 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 – 1983) – Naby Trompsburg O.V.S. Oil on canvas, signed & dated ’48, inscribed with the title on the reverse (29 x 39.5cm)

004 — Lot 242 Est R 10 000 – 20 000 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 – 1983) – Naby Trompsburg O.V.S. Oil on canvas, signed & dated ’48, inscribed with the title on the reverse (29 x 39.5cm)

263 — Lot 243 Est R 500 – 1 500 COLEMAN, TREVOR (SA 1936 – ) – Seated Figures. Oil on paper, signed & dated ’90 (29 x 19.5cm)

022 — Lot 244 Est R 6 000 – 10 000 DE BEER, ANDRE (SA 1933 – ) – Agterbuurt in die Kaap. Oil on canvas, signed (37 x 75cm)

014 — Lot 245 Est R 10 000 – 20 000 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 – 1942) – Wilderness near Knysna. Oil on canvas, signed and inscribed with the title in pencil on the reverse of the stretcher (25 x 30cm)

005 — Lot 246 Est R 10 000 – 20 000 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 – 1942) – Between the Mountains in Wolseley. Oil on canvas, signed & inscribed with the title in pencil on the reverse of the stretcher in the artist’s hand (31.5 x 47cm)

248 — Lot 247 Est R 10 000 – 20 000 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 – 1942) – Table Mountain From Bloubergstrand. Oil on canvas, signed (25 x 31cm)

247 — Lot 248 Est R 20 000 – 30 000 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 – 1942) – A View of Camps Bay. Mixed media, signed (34.5 x 55.5cm)

025 — Lot 249 Est R 500 – 1 500 DE WET, MATTHEE (SA 1979 – ) – Dorpstoor. Oil on canvas on board, signed (49 x 33.5cm)

082 — Lot 250 Est R 1 000 – 3 000 DUMAS, MARLENE(SA 1953 – ) – Marlene Dumas. Museum Overholland 3/2 – 1/4/1990. Lithographic reproduction printed Exhibition poster (118 x 83cm)

086 — Lot 251 Est R 2 000 – 4 000 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 – 2004) – Gemsbokke. Sepia watercolour, signed (50 x 65cm)

065 — Lot 252 AT BEST ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 – 2004) – Impalas. Oil on canvas, signed (49.5 x 39cm) (Condition report: paint-loss & restoration evident)

046 — Lot 253 Est R 1 000 – 3 000 FASCIOTTI, GIOVANNI (SA 1883 – 1961) – Yellow, Pink & Purple Roses in a Glass Vase. Oil on canvas on board, signed (42 x 29.5cm)

052 — Lot 254 Est R 1 000 – 3 000 FASCIOTTI, GIOVANNI (SA 1883 – 1961) – Yellow, Pink & Purple Roses in a Glass Vase. Oil on canvas on board, signed (42 x 29.5cm)

029 — Lot 255 Est R 1 000 – 3 000 FASCIOTTI, GIOVANNI (SA 1883 – 1961), AFTER MURILLO, BARTOLOMÉ ESTEBAN (SPANISH 1617 – 1682) – Ecce Homo. Oil on canvas, signed F.A. Scotti, verso inscribed on the canvas: Ecce Homo by. B.E. Murillo – Madrid. Gry. Prado copy by F.A. Scotti (50.5 x 35cm)

042 — Lot 256 Est R 2 000 – 4 000 FASCIOTTI, TITTA (SA 1927 – 1993) – Wayside Cottage beneath the approaching Storm. Oil on hessian on board, signed (24.5 x 32.5cm)

078 — Lot 257 Est R 3 000 – 6 000 FASCIOTTI, TITTA (SA 1927 – 1993) – Sunset on the Estuary. Oil on board, signed (29 x 39cm) (Condition report: Paint-loss evident)

079 — Lot 258 Est R 2 000 – 4 000 FASCIOTTI, TITTA (SA 1927 – 1993) – Shaded Bluegums beside the Path. Oil on canvas on board, signed, verso with a painted study of a mountainous landscape (40 x 27.5cm)

016 — Lot 259 Est R 1 000 – 3 000 GROBLER, JOHAN (SA 1935 – 1992) – Duikertjies. Oil on canvas, signed & dated ’71 (60 x 34.5cm)

015 — Lot 260 Est R 1 000 – 3 000 GROBLER, JOHAN (SA 1935 – 1992) – Impala. Oil on canvas, signed & dated ’74 (49 x 74cm)

258 — Lot 261 Est R 1 000 – 3 000 HALL, GINA (SA 1956 – ) – Landscape I. Mixed media, signed (66 x 96cm)

257 — Lot 262 Est R 1 000 – 3 000 HALL, GINA (SA 1956 – ) – Landscape II. Mixed media, signed (67 x 96cm)

300 — Lot 263 Est R 2 000 – 4 000 HALLETT, ALLEN (SA 1948 – ) – Dung Beetle. Patinated bronze, signed & numbered 1/100, on a conforming granite plinth base (Total height: 12.5cm)

251 — Lot 264 Est R 500 – 1 500 HARRS, HANNES (SA 1927 – 2006) – Abstract African composition. Lithograph in colours, signed in pencil, dated ’75 & inscribed Trial proof (48 x 33cm)

085 — Lot 265 Est R 2 000 – 4 000 HEYNS, MICHAEL FERREIRA (SA 1946 – ) – Still-life with Orange Flowers in a Jug. Watercolour, signed & dated ’92 (Sheet size: 57.5 x 76.5cm)

245 — Lot 266 Est R 500 – 1 500 HEYNS, MICHAEL FERREIRA (SA 1946 – ) – Portret 20.8.89. Lithograph, signed in pencil, dated 2004 & numbered 5/7 (22 x 17cm) PLUS HEYNS, MICHAEL FERREIRA (SA 1946 – ) – Van Seepsteen. Oil on board, signed, dated ’07, signed again & inscribed with the title in the artist’s hand & dated Pretoria 9.2007 on the reverse (24 x 19cm)

219 — Lot 267 Est R 500 – 1 500 HEYNS, MICHAEL FERREIRA (SA 1946 – ) – Unmasked. Oil on canvas, signed & dated ’94 (18 x 16cm) Unmasked. Oil on canvas, signed & dated ’94 (18 x 16cm) sold together with a custom-made wooden portrait easel stand

255 — Lot 268 Est R 2 000 – 4 000 HEYNS, MICHAEL FERREIRA (SA 1946 – ) – Fienter Papawer. Mixed media, signed & dated ’07, inscribed with a verse in the work: A world of grief and pain: Flowers bloom; even then Issa, signed again & inscribed with the title & dated Pretoria 3.2007 (75 x 59cm)

M-H-o-s — Lot 269 Est R 1 000 – 3 000 HEYNS, MICHAEL FERREIRA (SA 1946 – ) – Op Swart. Oil on board, signed, dated ’06 & inscribed in the work 9/10.3.2007, further inscribed with the title, signed again & dated Pretoria 12.2006/3.2007 on the reverse (35 x 24cm)

066 — Lot 270 Est R 3 000 – 6 000 KENTRIDGE, WILLIAM JOSEPH (SA 1955 – ) – William Kentridge: Il Ritorno d’ Uilsse. Paleis voor Schone Kunsten Brussel/Palais des Beaux-Arts de Bruxelles 15.05.1998 – 23.08.1998. Lithographic reproduction printed Exhibition poster, signed in pencil & numbered 189/200, framed & glazed (61 x 71.5cm)

053 — Lot 271* Est R 2 000 – 4 000 KLAR, OTTO (SA 1908 – 1994) – A pair of Rural Landscapes with Huts, Veld & Figures. Charcoal, each signed (20 x 32.5cm each)

054 — Lot 271 Est R 2 000 – 4 000 KLAR, OTTO (SA 1908 – 1994) – A pair of Rural Landscapes with Huts, Veld & Figures. Charcoal, each signed (20 x 32.5cm each)

302 — Lot 272* Est R 2 000 – 4 000 KLAR, OTTO (SA 1908 – 1994) – A pair of Bushveld landscapes with Trees.Charcoal on paper, each signed (9 x 19cm each)

301 — Lot 272 Est R 4 000 – 8 000 KLAR, OTTO (SA 1908 – 1994) – A pair of Bushveld landscapes with Trees.Charcoal on paper, each signed (9 x 19cm each)

006 — Lot 273 Est R 4 000 – 8 000 KLAR, OTTO (SA 1908 – 1994) – Farm near Hoedspruit. Oil on board, signed (12.5 x 44cm)

023 — Lot 274 Est R 10 000 – 20 000 KLAR, OTTO (SA 1908 – 1994) – Magnolia. Oil on board, signed (19 x 31.5cm)

269 — Lot 275 Est R 8 000 – 12 000 KLAR, OTTO (SA 1908 – 1994) – Sunset in the Waterberge. Oil on board, signed (24 x 67.5cm)

021 — Lot 276 Est R 10 000 – 20 000 KLAR, OTTO (SA 1908 – 1994) – Autumn on the Farm. Oil on board, signed (27 x 71cm)

0028 — Lot 277 Est R 3 000 – 6 000 KOCH, FRANCOIS DANIEL RETIEF (SA 1944 – ) – Leadwood Fire, Kruger Park. Oil on canvas, signed & dated ’83, inscribed with the title on the reverse (73 x 88.5cm)

068 — Lot 278 Est R 2 000 – 4 000 KOMJATI, JULIUS (HUNGARIAN 1894 – 1958) – Foundation. Etching, signed in the & dated 23/9/1929 in the plate, signed again in pen & inscribed with the title & further inscribed: To dear Mrs F. F. du Toit with kind regards and many best wishes from Julius Komjati, 1931 Jul 1931 on the reverse (31 x 43.5cm) Note: Julius Komjati lived most of his life in his native Hungary. However the ten year period he spent in London, 1928-1938, had a profound impact on the course of British etching. He studied under Malcom Osborne at South Kensington and his stay in England produced 74 works published by H.C. Dickens, each in editions of 75. He was elected a member of the Royal Engravers and the Society of Painters & Etchers.

028 — Lot 279 Est R 2 000 – 4 000 KOTZE, KOBUS PETRUS (SA 1938 – ) – Farm Landscape. Oil on canvas on board, signed & dated ’85 (48.5 x 73.5cm)

249 — Lot 280 Est R 500 – 1 500 KOTZÉ-LOUW, JEANNE (1929 – 2014) – Renaldo & Armida. Etching, signed in pencil, dated 2002, inscribed with the title & numbered SP V/XXV (Sheet size: 30.5 x 30.5cm) Sold on behalf of the Friends P.A.M.

250 — Lot 281 Est R 500 – 1 500 KOTZÉ-LOUW, JEANNE (1929 – 2014) – Arrival In Table Bay. Etching, signed in pencil, dated 2002, inscribed with the title & numbered SP V/XXV (Sheet size: 31 x 42cm) Sold on behalf of the Friends P.A.M.

002 — Lot 282 Est R 25 000 – 40 000 LAUBSER, MARIA MAGDALENA (MAGGIE) (SA 1886 – 1973) – Portrait of a young Woman with Headscarf. Charcoal on paper, signed (37 x 26.5cm) Literature: Marias, D. Maggie Laubser : Her Paintings, Drawings and Graphics, illustrates a similar sketch on pages 340-1, cat no’s 1469 & 1474; pages 360-1, cat no’s 1593-1599

094 — Lot 283 Est R 3 000 – 6 000 LEKGETHO, SIMON MOROKE (SA 1929 – 1985) – Rock Art scene of Hunters and Animals. Oil on canvas on board, signed & dated ’66 (29.5 x 60cm)

091 — Lot 284 Est R 6 000 – 10 000 LEKGETHO, SIMON MOROKE (SA 1929 – 1985) – Thorn Trees in the Magaliesberg. Oil on canvas on board, signed & dated ’70 (44.5 x 60cm)

020 — Lot 285 Est R 2 000 – 4 000 MADGE, DONALD JAMES (DON) (SA 1920 – 1997) – Afternoon in District Six. Oil on board, signed (29.5 x 39.5cm)

017 — Lot 286 Est R 3 000 – 6 000 MADGE, DONALD JAMES (DON) (SA 1920 – 1997) – Approaching Storm on the Farm. Oil on canvas on board, signed (49.5 x 75cm)

034 — Lot 287 Est R 2 000 – 4 000 MAGROTTI, ERCOLE (ITALIAN 1890 – 1967) – Paesaggio. Oil on canvas, signed, inscribed Italian with the artist’s name, title, measurements & original price on a Direzione Artistica Gallerie A.G. Grandi Firme label on the reverse (48 x 68cm)

104 — Lot 288 Est R 3 000 – 6 000 MARAIS, WESSEL (SA 1935 – 2009) – Still-life with Daisies in a Vase. Oil on canvas on board, signed (59.5 x 75cm)

COPYRIGHT SLIDE 3 - Copy

COPYRIGHT SLIDE 3 - Copy (3) — Lot 174 Est R 500 – 1 500 MASON ATTWOOD, JUDITH (SA 1938 – 2016) – The Gospel According to Judas. Lithographic reproduction print, inscribed with a verse by the poet Ted Townsend, signed J Attwood & T Townsend, dated ‘ 85 in pencil & numbered 16/50 (44.5 x 31.5cm)

076 — Lot 291 Est R 3 000 – 6 000 MAYER, (ERNST KARL) ERICH (SA 1876 – 1960) – Kloof. Watercolour, signed & dated 1926 (21 x 30cm)

062 — Lot 292 Est R 2 000 – 4 000 MOKGOSI, NAT (NATHANIEL) (SA 1946 – ) – Figure and Bird. Mixed media, signed in pen & dated ’75 (37.5 x 48cm)

net-2- — Lot 293 Est R 2 000 – 4 000 NETO, CARLOS ALBERTO MOREIRA (SA 1956 – ) – The Traveller. Etching, signed in pencil, numbered 7/10 with studio stamp (43 x 36cm)

Neto-1- — Lot 294 Est R 2 000 – 4 000 NETO, CARLOS ALBERTO MOREIRA (SA 1956 – ) – Deep in Thought. Sepia etching, signed in pencil, numbered 1/10 with studio stamp (45.5 x 40.5cm)

264 — Lot 295 Est R 2 000 – 4 000 NICE, CHRISTIAAN ST PATRICK (SA 1937 – ) – Children Picking Cosmos. Oil on canvas on board, signed (44.5 x 29cm)

262 — Lot 296 Est R 2 000 – 4 000 NICE, CHRISTIAAN ST PATRICK (SA 1937 – ) – Sisters among the Cosmos. Oil on canvas on board, signed (44.5 x 29cm)

261 — Lot 297 Est R 2 000 – 4 000 NICE, CHRISTIAAN ST PATRICK (SA 1937 – ) – Children Fishing. Oil on canvas, signed (44.5 x 29cm)

084 — Lot 298 Est R 5 000 – 15 000 NORMAN, CATHERINE CLIVE (SA 1949 – ) – Dog Watch. Silkscreen in colours, signed in pencil dated ’91, numbered 3/45 & inscribed with the title (96 x 44.5cm)

001 — Lot 299 Est R 3 000 – 6 000 OLDERT, JOHANNES (SA 1912 – 1984) – Small Asters. Oil on board, signed, signed again & inscribed with the title in felt-tip pen on the reverse (44.5 x 59.5cm)

003 — Lot 300 Est R 15 000 – 25 000 PIERNEEF, JACOB HENDRIK (SA 1886 – 1957) – Visserhawe, Hermanus. Linocut, signed in pencil, inscribed: impr. Hermanus. K.P. & dated 1930 (24 x 29.5cm) Literature: Nilant, F.E.G. Die hout- en linosneë van J.H. Pierneef p. 35, pl. 5 illustrates the image

244 — Lot 301 Est R 80 000 – 120 000 PIERNEEF, JACOB HENDRIK (SA 1886 – 1957) – Landscape, Afternoon in the Bushveld. Oil on board, signed (14.5 x 20cm)

045 — Lot 302 Est R 10 000 – 20 000 POBBIATI, MARIO (ITALIAN 1887 – 1956) – Attesa. Oil on canvas, signed, inscribed in Italian with the artist’s name, title & measurements on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse (99 x 69cm) Note: Pobbiati is known as a twentieth century Expressionist painter. The majority of Pobbiati’s paintings depict portraits of the female figure, animated scenes or landscapes. Pobbiati’s paintings are figurative and narrative, depicting his life and environment in Italy. Some of Pobbiati’s paintings are more traditional, while other works are quite abstract, using loose brush strokes. Pobbiati often paints portraits in an ambient setting, creating emotion and energy in his composition. Reference: https://www.artexpertswebsite.com/artist/pobbiati/

267 — Lot 303 Est R 500 – 1 500 POHL, JACK W (SA C1878 – 1944) – Mountainous landscape with Trees. Oil on canvas, signed & dated 1943 (34.5 x 44.5cm)

051 — Lot 304* Est R 8 000 – 15 000 RESPOLI, FRANCO (PROF) (ITALIAN 1921 – 1989) – Il Ritorno and La Staccionata. A pair of oil on panel, each signed & inscribed with the artist’s name on an affixed plaque below the work, each inscribed again in Italian with the artist’s name, title, measurements & original price on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse (29 x 39cm each)

050 — Lot 304 Est R 8 000 – 15 000 RESPOLI, FRANCO (PROF) (ITALIAN 1921 – 1989) – Il Ritorno and La Staccionata. A pair of oil on panel, each signed & inscribed with the artist’s name on an affixed plaque below the work, each inscribed again in Italian with the artist’s name, title, measurements & original price on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse (29 x 39cm each)

043 — Lot 305 Est R 1 000 – 3 000 SALESI, ALDO (ITALIAN 20TH CENTURY) – Riunione A Tre. Oil on canvas on board, signed, inscribed in Italian with the artist’s name, title, measurements on a Direzione Artistica Gallerie A.G. Grandi Firme gallery label on the reverse (39.5 x 49cm)

259 — Lot 306 Est R 1 000 – 3 000 SAOLI, WINSTON CHURCHILL MASAKENG (SA 1950 – 1995) – The Dreamer. Mixed media, signed & dated ’79 (55.5 x 75cm)

253 — Lot 307 Est R 1 000 – 3 000 SAOLI, WINSTON CHURCHILL MASAKENG (SA 1950 – 1995) – The Student. Mixed media (56 x 37.5cm)

077 — Lot 308 Est R 10 000 – 20 000 SIMONETTI, ALFONSO (ITALIAN 1840 – 1892) – Lavando dal fiume. Oil on panel, signed & dated 1881 (27 x 59cm)

089 — Lot 309 Est R 2 000 – 4 000 SCHADY, ELSABE KAREN (SA 1927 – 2012) – Fancy Free. Sepia Etching, signed in pencil dated ’80, inscribed with the title & numbered 3/20 (53 x 43.5cm)

COPYRIGHT SLIDE 3 - Copy — Lot 310 Est R 1 000 – 3 000 SKOTNES, CECIL EDWIN FRANS (SA 1926 – 2009) – Pale Prisoners. Woodcut in colours, signed in pencil, signed in pencil, dated ’75 & numbered 53/7563, accompanied by a separate sheet with the poem, inscribed : poem by Charles Eglington in pencil (Sheet size: 64 x 48.5cm each)

COPYRIGHT SLIDE 3 - Copy (2) — Lot 94 Est R 6 000 – 10 000 LAUBSER, MARIA MAGDALENA (MAGGIE) (SA 1886 – 1973) Seascape with Birds, Boat and distant Mountain Pencil on paper, signed (10.5 x 16cm)

270 — Lot 312 Est R 3 000 – 6 000 SQUIBB, RUTH AUDREY (SA 1928 – ) – Sunlit landscape with Trees. Oil on board, signed (50 x 75cm)

299 — Lot 313 Est R 500 – 1 000 SWART, SUSANNA (SA 1967 – ) – Dream Angel Bronze, signed, dated 2005, inscribed: Boudiccea Castings RSA, numbered 18 of 50, mounted on a wooden platform base (Total height: 24cm)

010 — Lot 314 Est R 1 000 – 3 000 AFTER TENIERS, DAVID II (THE YOUNGER) (FLEMISH 1610 -1690) – The Alchemist. Oil on panel (15.5 x 19cm)

067 — Lot 315 Est R 500 – 1 500 TSHABALALA, ENOCH (SA 1941 – ) – Township Dancers. Charcoal on paper, signed & dated ’69 (74 x 53cm) (Condition report: Holes evident in top left corner of paper)

055 — Lot 316 Est R 2 000 – 4 000 TUGWELL, CHRISTOPHER (SA 1938 – ) – Golden Light. Oil on canvas on board, signed (27 x 58cm)

012 — Lot 317 Est R 3 000 – 6 000 TUGWELL, CHRISTOPHER (SA 1938 – ) – The Goat Herd. Oil on board, signed, signed again in felt tip pen, inscribed with the title & date of execution 27 Sept 2008, on the reverse (29.5 x 39cm)

058 — Lot 318 Est R 3 000 – 6 000 TUGWELL, CHRISTOPHER (SA 1938 – ) – Reflections. Oil on canvas on board, signed, signed again in felt tip pen & inscribed with the title on the reverse (29 x 38.5cm)

268 — Lot 319 Est R 3 000 – 6 000 TUGWELL, CHRISTOPHER (SA 1938 – ) – Figures and Campfire beneath a Tree. Oil on canvas on board, signed (38 x 54cm)

061 — Lot 320 Est R 500 – 1 500 ULLMANN, ERNEST (SA 1900 – 1975) – Angel with Figure. Linocut, signed & dated ’65 (25.5 x 15 cm)

081 — Lot 321* Est R 10 000 – 20 000 VALADIÉ, JEAN BAPTISTE (JOHNY) (FRENCH 1933 – ) – Toulon la Ferrade. Oil on canvas, signed, signed again by the artist in pen, further inscribed with the title, dimensions, year of execution (1969) & artist’s fingerprint on a Certificat D’ Authenticite pasted on the reverse (89.5 x 71.5cm)

081_a — Lot 321 Est R 10 000 – 20 000 VALADIÉ, JEAN BAPTISTE (JOHNY) (FRENCH 1933 – ) – Toulon la Ferrade. Oil on canvas, signed, signed again by the artist in pen, further inscribed with the title, dimensions, year of execution (1969) & artist’s fingerprint on a Certificat D’ Authenticite pasted on the reverse (89.5 x 71.5cm)

024 — Lot 322 Est R 3 000 – 6 000 VAN DER LEEK, CASEY (SA 1970 – ) – Boland Cottage. Oil on canvas, signed (60 x 90cm)

026 — Lot 323 Est R 1 000 – 3 000 VAN DER MERWE, CHARLES (SA 1938 – 1996) – District Six Street Scene with Strolling Figures. Oil on canvas on board, signed & dated ’85 (44.5 x 60cm)

307 — Lot 324 Est R 3 000 – 6 000 VAN DER WESTHUIZEN, PIETER (SA 1931 – 2008) – Shul. Etching in colours. signed in pencil, dated ’89, inscribed Etching & numbered 81/100 (55 x 64cm) Literature: Schneider, L. Life, Love and Landscapes: The etchings of Pieter van der Westhuizen p. 62-63 illustrates the image (Condition report: Insurance claim, scrape marks & minor paper loss evident)

097 — Lot 325 Est R 5 000 – 15 000 VILLA, EDOARDO (SA 1915 – 2011) – Bacchus. Terrazzo statue (Height: 78.5cm) Provenance: Lupini Brothers (Pty) Ltd, property of Mario Lupini

075 — Lot 326 Est R 500 – 1 500 VOLSCHENK, PIERRE DR (SA 1926 – ) – Tshipise. Watercolour, signed & dated ’79 (16.5 x 21.5cm)

036 — Lot 327 Est R 1 000 – 3 000 VON, MATTHYS (EUROPEAN SCHOOL LATE 19TH CENTURY) – The Doges – Venice. Oil on panel, signed & dated ’87 (19.5 x 29.5cm)

060 — Lot 328 Est R 500 – 1 500 VORSTER, ENSLIN (SA 1932 – ) – Free State landscape with distant Mountains. Watercolour, signed in pencil, inscribed with a dedication, signed again & dated 6-3-81 on the reverse (15 x 24.5cm)

019 — Lot 329 Est R 1 000 – 3 000 ZEELIE, ADELIO ZAGNI (SA 1911 – 1991) – Preparing for the Catch at Dawn. Impasto oil on board, signed & dated Durban 1959 (34.5 x 49.5cm) (Condition report: paint-loss evident)